【www.pangufuhuaqi.com--文化艺术】

关于艺术的观念，并没有普遍认同的定义，且随着时间的推移，观念也在不断变化。在马克思主义理论的框架下，艺术首先是一种社会现象、社会事物，属上层建筑中的社会意识形态，它以自身独有的方式能动地认识世界。以下是小编整理的关于欣赏艺术作文【二十三篇】，仅供参考，希望能够帮助到大家。

【篇一】欣赏艺术作文

每天睡在软软的席梦思床上，难忘老家二楼西厢房的那张大开门的木雕老床。似藤萝盘绕，精美的雕花，雪白的轻纱蚊帐里，仿佛还有妈妈轻吟的催眠曲。

这张床是深红色的，它长2.1米，宽1.4米，高1.9米，雕刻十分精致，花卉栩栩如生。月季怒放，芙蓉、梅花交相辉映。包边的龙纹，花纹，竹纹等神韵十足，整个床面喜气中充满祥福。

这是一张百年老床，它非常坚固。它是妈妈的太爷爷，太奶奶留下的，睡过了好几代人。小时候我经常在床上蹦跳，踩着雕花板镂空的位置攀爬，它都没有一丁点晃动。工匠将每一寸木头都打磨得很精致，滑溜溜的，手感很好，也不硌脚。我也总是那么乐此不疲地爬上爬下。现在想来，对它还有几分歉意。

听妈妈说，这张床年代久远，它是清朝末年，太太爷爷专为太爷爷和太奶奶结婚定做的。用的是上好的红木，请了当地最有名的雕匠和木匠，花费三个多月时间精制而成。我留意到了一个细节，那就是整张床看不见一根铁钉。原来，它全部采用了精巧的榫和卯将各部件牢牢地连接在一起。真是巧夺天工啊!

这就是我们身边的艺术。它彰显了我国劳动人民的高超工艺和他们对艺术的感悟以及对结构造型的丰富想象力。

只要我们有一双慧眼，艺术就无处不在

欣赏艺术的心得体会2

在我们家卧室的转折角有一个醒目的青菜笔筒。这个青菜笔筒是我的婶婶送给我，我一直摆放在我的家中。这就是我喜欢的艺术品。这个青菜高大约是36厘米，顶端有一个大约4厘米的花把。一大片的绿色中，有一小点的白色，整个搭配的非常协调，越看越像别人种的青菜，简直一摸一样!

这个青菜笔筒是陶瓷的，重约2斤。表面非常的光滑，冰冰的、硬硬的，但是能让人爱不释手，就像捧着一个聚宝盆。那深绿色的花把有点透明，给人们想象的空间，同时也增添了几分活力。一个青菜整体把中间捞空了，真是十全十美呀!这个青菜笔筒构造较为简单，跟农民伯伯种出的青菜样子、构造是一样的;这个青菜不是那么的鲜艳夺目，而是一般的绿色，让人感到生机盎然、心旷神怡。这简单朴素的景色比镶着奇珍异宝的陶塑青菜好得多它以简朴、素气而引人注目。

玻璃青菜笔筒那朴素的颜色是我感受到了劳动人民的艰辛;它的诞生是于玻璃陶艺工人那双勤劳得手分不开的。这个青菜笔筒，为我家增添了几分姿彩。因为玻璃陶艺工人丰富的想像力，必定会有更多人得到更美的艺术享受!

【篇二】欣赏艺术作文

《蜀道难》是李白的代表作，也是我国文学宝库中具有历史价值和文学价值的不朽杰作。《蜀道难》本为乐府《相和歌辞瑟调曲》旧题，李白此诗是对传统题材的再发挥。此诗的主题思想众说纷纭，见解不一，我认为它与政治现实还是有一定联系的。诗歌创作于天宝初年，即李白第一次入长安的时候，当时表面繁荣的唐朝隐伏和酝酿着衰败、变乱的危机。藩镇割据，怀觊觎之心者，非徒安史。诗末抒发的感慨，当是针对时局而发，寄寓着诗人的隐忧，诗歌借助神话传说和民谚，驰骋丰富奇特的想像，运用夸张手法，近乎完美地描写出蜀道的奇和险。唐代殷页圃薮耸“可谓奇之又奇，自骚人以后，鲜有此体调”。相传贺知章读罢《蜀道难》，“称赞者数四，号为‘谪仙’”。

《蜀道难》形象雄伟，感情炽烈，想象丰富，语言夸张。这是一首让古今文人拍案叫绝的诗章。

诗歌开篇即凭空起势，骤响彻天。诗人就通过连声的惊叹，层叠的比喻，突出地表现了蜀道那不同寻常的险峻，然后又通过神话传说，夸张的笔墨写出了蜀道是历史上不可逾越的险途，给险峻的天梯石桟蒙上了一层神秘色彩，为进一步描写蜀道的艰险作了铺垫。 上有六龙回日之高标，下有冲波逆折之回川。黄鹤之飞尚不得过，猿猱欲度愁攀援。青泥何盘盘，百步九折紫岩峦。扪参历井仰胁息，以手抚膺坐长叹。诗句气势磅礴，让读者在心目中对蜀道留下了深刻的印象。

接着按由秦入蜀的路线（长安—太白山—峨眉山—青泥岭—剑阁—成都），具体细致的写蜀道之难，难在何处。

先写蜀道开辟之难。诗歌夸张地说自蜀开国四万八千年以来，一直“不与秦塞通人烟”，后来五丁力士拽蛇导致地崩山摧身死才促成了蜀道的修建。这个悲壮的神话故事为蜀道增添了许多神奇色彩，也间接地表现了古代劳动人民的智慧和力量。

次写蜀道旅途之难。以“六龙回日”的神话和想像，用黄鹤飞不过、猿猱愁攀援来反衬，用悲鸟、子规作烘托，极写山的高峻奇险；以“冲波逆折”“飞湍瀑流”的直接描写，用“崖转石万壑雷”的夸张手法，极写水的湍急凶险。

继写蜀道人事之难。剑阁位置险要，易守难攻，历史上不乏据险作乱的先例，诗人怀着对国事的担忧、对人民的关切之情，警告当局要吸取历史教训，防止地方军阀据险作乱，残害人民。

文末的结语写蜀道之难导致的结果。行人望蜀兴叹，徒唤奈何，言有尽而意无穷，妙哉妙哉。

诗人以鬼神莫测的笔锋，纵横驰骋，时间上从四万八千年之前的混沌初开至战国而至中唐；空间上从长安跨越数座大山而至成都，从上可摩天的山巅到激流回旋奔腾的深壑；其他，从行人至鸟兽，从神话传说至当今世道……腾挪跌宕，惊心动魄，把蜀道之难渲染得淋漓尽致。

本诗为乐府诗，形式自由，每句字数从三言至十一言，参差错落，且三次换韵，非常适合表达大自然的奇观和诗人热情奔放的思想感情。诗歌融神话、传说、谚语与景观、人事、心理于一炉，想像丰富奇特，夸张新颖独到，虚实结合，情景交融。“蜀道之难，难于上青天”一句，前、中、后出现三次，反复咏叹，内容逐次加深，产生了回肠荡气的艺术效果，具有极强的艺术感染力。

全诗从形式到内容，充分体现了诗歌的浪漫主义特色。诗人寄情山水，放浪形骸。他对自然景物不是冷漠的观赏，而是热情地赞叹，借以抒发自己的理想感受。那飞流惊湍、奇峰险壑，赋予了诗人的情感气质，因而才呈现出飞动的灵魂和瑰伟的姿态。诗人善于把想象、夸张和神话传说融为一体进行写景抒情。言山之高峻，则曰上有六龙回日之高标;状道之险阻，则曰地崩山摧壮士死，然后天梯石栈相钩连。诗人驰走风云，鞭挞海岳(陆时雍《诗镜总论》评李白七古语)，从蚕丛开国说到五丁开山，由六龙回日写到子规夜啼，天马行空般地驰骋想象，创造出博大浩渺的艺术境界，充满了浪漫主义色彩。透过奇丽峭拔的山川景物，仿佛可以看到诗人那落笔摇五岳、笑傲凌沧洲的高大形象。

【【实用】艺术作文锦集6篇】

【篇三】欣赏艺术作文

欣赏艺术作文

世间并不缺少美，缺少的只是发现美的眼睛。

——题记

欣赏，是一个艺术的话题；欣赏，是一门永恒的艺术。万物因为有欣赏而美丽，因为有欣赏而颇有价值。也许，黄金的珠宝是美丽，也许名人的古画是美丽，也许，一首旋律是美丽，也许，一涧山泉也是美丽。我在街上看到许多字画在出售，我顿时停了下来，陶醉在龙飞凤舞的笔墨中，看到那一丛丛小树，那一株株蔷薇，我浸在艺术的美感中很久很久。欣赏是一种陶冶。傍晚出门，步入小桥流水的清幽，看那五色石在棉柔的冲刷中绽放清洁的光芒，感到顿时远离了都市的喧嚣，远离了复杂的恩怨，远离了无边的`世愁，让灵魂融入在这恬静的景色中。欣赏是一种提高。但看到名山大川的气势，磅礴宏大的气概震撼着心灵，当我们欣赏的时候，仿佛能感受到它威严的气魄透在粗犷的线条中。似乎身心也应像着高耸的山峰一样，得到无数的景仰。欣赏是一种收获。当我们沉浸在精彩的故事中，优美的散文中，浪漫的诗歌中，我们感受到的、欣赏到的，是一种超越任何物质享受的美感，是缘于心底的、无可比拟的乐趣。收获的是快乐，是高雅。“世界上并不缺少美，缺少的只是发现美的眼睛”。

我认为应补充一句：“世界上最宝贵的不是眼光，而是欣赏的眼光；不是眼界，而是艺术的眼界。”欣赏，因为艺术而高贵；艺术，因为欣赏而升华。欣赏，一门永恒的艺术。

【篇四】欣赏艺术作文

闲聊的艺术中英文欣赏

You are an intelligent and articulate person. You have no problem giving a lucid presentation, delivering an eloquent speech or participating in a political debate. You strive for meaningful conversations and have no patience whatsoever for small talk. “The weather is nice, isn’t it?” Really, who cares?

你聪明机灵，口齿伶俐。给出清晰的报告、发表滔滔不绝的演讲、参加政治辩论，你无所不能。你在这些有意义的语言会话上花费心思，却对闲聊嗤之以鼻。“今天天气不错，是吧?”说实在的，谁关心呢?

Although seemingly trivial and superficial, small talk is the starting point of all relationships. Romances and friendships begin with small talk. In a more pragmatic light, you can’t avoid it. Getting a job, working with colleagues, winning new clients — all of it requires small talk.

虽然看似琐碎肤浅，但闲聊却是建立一切关系的切入点。爱情和友谊都始于闲聊。更实际一点考虑的话，你不可能避免闲聊。求职、与同事共事、攻下新客户，这些都离不开闲聊。

Americans call it the “Gift of Gab”. Want to be successful? You’d better acquire this gift.

美国人称之为“能说会道”。你想成功?那么你最好具备这项口才。

An article on the Forbes website lists a few reasons why small talk is so important for one’s career. Not only does small talk make us more likeable; in one’s career, small talk is also a “free option”.

为了说明闲聊对于个人事业的重要性，《福布斯》网站上的一篇文章给出了一系列解释。闲聊不仅能让我们更讨人喜欢，对于个人事业而言，闲聊也是一种“免费期权”。

It can lead to a host of outcomes, from a merely pleasant exchange to the signing of a multimillion dollar business deal, says the article.

文章中指出，闲聊能产生一系列的效果，有时不仅仅是一场愉快的交流，甚至还可以达成数百万美元的交易。

In a time where a big part of our lives has moved online, the art of small talk is elusive and mysterious. The awkward experience of feeling like a total outsider at a social function, such as a company event or a dinner party, is shared by many of us.

在这个生活逐步网络化的时代，闲聊的艺术不可思议又难以捉摸。我们中的很多人都曾有过在公司活动、宴会等社交场合中上化身“局外人”的尴尬经历。

But don’t worry, says Elizabeth Bernstein, a relationship columnist at The Wall Street Journal, you can learn to develop your conversational intelligence.

但是别担心，《华尔街日报》两性关系专栏作家伊丽莎白·伯恩斯坦表示，你可以学会去开发自己的口才。

First of all, remember small talk is not about communicating, it’s about connecting. Bernstein advises to focus on the other person.

首先，要记住闲聊并不是为了沟通交流，而是与对方建立联系。伯恩斯坦建议应该去关注对方。

Bad small talkers tend to dominate the conversation. They spend too much time on their favorite topic, whether it’s football or how clever their kids are.

不擅长闲聊的人往往想要在谈话中占据主动。他们花费过多的时间来谈论喜欢的话题，无论是讨论足球还是夸奖他们的孩子有多么聪颖过人。

They think they are being social because they are talking. But they are talking to somebody, not with someone. Such people often give the impression of being self-centered and inconsiderate.

他们认为滔滔不绝就代表善于交际。但是他们说话的对象是些重要人物，而并非普通人。这样的人通常会给人留下以自我为中心、不替他人着想的印象。

【篇五】欣赏艺术作文

作文欣赏：艺术之星

我们班就像一条银河，每一位同学都是一颗闪亮的小星星。比如说尽责奉献之星——何逢营、诚实守信之星——陈钰琳、绘画之星——阮文静、小书法家——张烨淇。但是，最令我敬佩的还是艺术之星——谢雨欣。

圆圆的脸蛋，一双炯炯有神的大眼睛，忽闪忽闪的眼睫毛就像是蝴蝶在扇动翅膀，樱桃般的.小嘴，这“天使面孔”的主人便是谢雨欣。

谢雨欣可是我们班的“大才女”。她会弹古筝，写的作文语句优美，语言精练，朗诵时富有感情，字正腔圆，舞蹈更是不在话下。可谁又能看到那光鲜背后她所付出的汗水与辛苦。

记得有一次，我到雨欣家中准备和她商讨一些班上的事务。谁料想，我看到这令我震撼的一幕：雨欣在练习舞蹈。只见她不停地重复劈叉、下腰、旋转等动作。“滴答”一个声音引起了我的注意。我闻声看去，原来是汗珠滴落在地上的声音。再看看雨欣，已满头大汗，豆大的汗珠不停滚落在地上，但雨欣一点都没有要停止的意思，我见雨欣这样辛苦，不禁勾起了我的好奇心：不就是几个动作吗？会这么累吗。俗话说“不吃黄连不知黄连苦”于是，我尝试做了一个最简单的动作——旋转。没想到，没转多久，我已经“头昏眼花，眼冒金星”了。到这，我对雨欣的敬佩之情油然而生。

雨欣的辛苦还不仅仅在这。说道寒暑假，大家的第一反应便是“解放了！”“可以好好放松了！”但雨欣却不是这样。从雨欣口中我得知到她每天都要弹上一个小时的古筝，而双休日或寒暑假，还要练上2——3个小时的舞蹈。看到雨欣这样辛苦，我对她的敬佩之情更深一层。

同学们，这就是我们班的艺术之星——谢雨欣。你们说她这颗星是不是名副其实的呢。

【篇六】欣赏艺术作文

1、要是一种思绪独辟蹊径，拓开了生命的可能之地，没有舞台它也已经是艺术。——史铁生

2、在艺术作品中，最富有意义的部分即是技巧以外的个性。——林语堂

3、因为音乐这种艺术就其性质而言，对神经有着直接的生理上的作用。——列夫·托尔斯泰

4、我深信：质朴和真实是一切艺术作品的美的原则。——格鲁克

5、人的真实生活不在于穿衣吃饭，而在艺术、思想和爱，在于美的创造和瞑想以及对于世界的合乎科学的了解。——罗素

6、我爱力量。但我之所以爱力量，犹如想借魔术奏出美妙音乐的小提琴家爱他的小提琴一样。换句话说，我是以艺术家的方式爱着的。——拿破仑

7、我非常热爱音乐。正因为我热爱音乐，我试图让它脱离使它受到抑制的贫乏的传统。音乐是热情洋溢的自由艺术，是室外的艺术，象自然那样无边无际，象风，象天空，象海洋。绝不能把音乐关在屋子里，成为学院派艺术。——德彪西

8、艺术恒久，生命短暂——英国

9、艺术的敌人就是不学无术。——塞·约翰逊

10、像为了保持健康需要体操一样，为了保持精神的健全，也需要艺术的教训。——柏拉图

11、近代风俗制造出来的三种阶级是：劳动者，思想者；一无所为者。因而就有三种相当完整的公式，表现各色生活，从浪人的富有诗意与充满流浪生涯的小说，一直到立宪国王的单调与催眠的历史，都表现了出来：忙碌生活；艺术家生活；风雅生活。——巴尔扎克

12、人们首先必须吃、喝、住、穿，然后才能从事政治、科学、艺术、宗教等等——恩格斯

13、看呀！世界不是劳动的艺术品吗？没有劳动就没有世界。——邓中夏

14、欣赏艺术美，需要知识修养；领略自然美，同样需要知识修养。修养越深，展现在你眼前的美的疆域就越广阔，你获得的美感也越丰富。——佚名

15、音乐不只是表达的艺术，它还是能引起激动的艺术。——费提斯

16、艺术的内涵，是多么的美呵！——凡高

17、美是艺术的最高原理，同时也是最高的目的。——歌德

18、爱情不只是一种感情，这同样是一种艺术——法国

19、要想逃避这个世界，没有比艺术更可靠的途径；要想同世界结合，也没有比艺术更可靠的途径。——歌德

20、诗人艺术家演员音乐家等等的穷，还穷得轻松，因为艺术家天生爱寻快乐，也有得过且过，满不在乎的脾气，就是使天才们慢慢的变成孤独的那种脾气。——巴尔扎克

21、教学的艺术不在于传授本领，而在善于激励唤醒和鼓舞。——第斯多惠

22、艺术在人们看了其作品并忘怀时，才会受到赞美，而且，这才是真实的艺术。——莱辛

23、学习技术必须耐心、刻苦，并持之以恒；没有技术，艺术就不过硬，就没有风格，没有特性。练习曲、音阶、琶音、和弦等是非常货真价实的，不能骗人。——帕德雷夫斯基·简

24、艺术在于有本领在针尖上建筑一座宫殿。我思想的奥妙之处在那根能够在十秒内把沙漠变成城市的仙杖里面。——巴尔扎克

25、人应当要么是一件艺术品，要么戴一件艺术品。——佚名

26、艺术的大道上荆棘丛生，这也是好事，常人望而却步，只有意志坚强的人例外。——雨果

27、我们必须继承一切优秀的文学艺术遗产——毛泽东

28、音乐家的艺术不在于直接描绘形象，而在于把心灵置于这些对象能够在心灵里创造的情绪中去。——卢梭

29、教师的言语——是一种什么也代替不了的影响学生心灵的工具。教育的艺术首先包括说话的艺术，同人心交流的艺术。我坚决相信，学校里往往带来很大不幸的冲突，大多数根源就在于教师不善同学生们谈话。——苏霍姆林斯基

30、艺术与科学既不同而又互相关联；它们在审美的方面交会。——克罗齐

31、艺术不是技艺，它是艺术家体验了的感情的传达。——列夫·托尔斯泰

32、男子只要有人奉承，使他的骄傲与欲望获得满足，就极容易上当；而富于幻想的艺术家更容易受骗。——罗曼·罗兰

33、爱情是作为伟大的因素渗入他们的生活的，但是它并不把其他因素都吞噬吮吸掉。他们并不因为爱情而割弃公民精神、艺术、科学的普遍利益；相反，他们还要把爱情的一切鼓舞、爱情的一切火焰带到这些方面去，而反过来，这些世界的广阔与宏伟也渗透到了爱情里。——赫尔岑

34、艺术有制定权艺术家制定美，而不是接受现成的美——歌德

35、不假雕琢的艺术才是真正的艺术——布雷顿

36、艺术应当担负起哺育思想的责任 。——白朗宁

37、伟大的艺术从来就是最富于装饰价值的。——毛姆

38、把人们引向艺术和科学的最强烈的动机之一，是要逃避日常生活中令人厌恶的粗俗和使人绝望的沉闷，是要摆脱人们自己反复无常的欲望的桎梏。——叔本华

39、管理的艺术在于识别什么是可用的经验，以及采用后能判别发生什么样的结果。——詹姆斯·L·里格斯

40、道家有句话叫做“大则远，远则逝，逝则返”，这又是时间与空间的整个的统一。可是最要紧的，你看这个“远”、“逝”、“返”，还是个时间的东西。这一句话就讲尽了最高的"艺术。“大则远，远则逝，逝则返”。“逝”，消逝了，没有了，“逝则返”，又回来了。最美的菩萨的雕塑，或者希腊的雕塑，或者是达·芬奇的名画，都给你这个感觉。——傅聪

41、人们认为：我的艺术创作是轻而易举得来的。这是错误的。没有人像我那样在作曲上花费了如此大量的时间和心血。没有一位大师的作品我没有再三地研究过。——沃·阿·莫扎特

42、你如果要做一个艺术家，你要牢记：必须开拓你的胸襟，务使心如明镜，能够照见一切事物，一切色彩！——达·芬奇

43、当你茫然不知所措时，请把舌头拴上一天吧，次日你的计划与任务将一目了然！一旦外界的杂音不再入耳，你身上还有什么渣滓和垃圾不能被这些哑巴工人清除呢？话语常常不像法国人所说的那样是掩盖思想的艺术，而是窒息中止思想的艺术，致使无思想可再加掩盖。话语固然重要，但并非最重要。瑞士格言说得好：sprechenistsibem,schweigenistgolden,话语是银，沉默为金，或者不如说：话语有限，沉默永恒。——M·梅特林克

44、科学与艺术属于整个世界，在它们面前，民族的障碍都消失了。——歌德

45、只有艺术和科学能提高人，直到神——科克托

46、真正的艺术品包含着自己的美学理论，并提出了让人们藉以判断其优劣的标准——歌德

47、只有天生的艺术家才能忍受成为一位艺术家所必需付出的艰苦劳动——迪亚娜夫

48、为艺术而艺术，不会比为喝酒而喝酒更有意义。——毛姆

49、把艺术作品看作超验的成果，以为每件作品的产生都有益于世人。——萨特

50、追求理想是一个人进行自我教育的最初的动力，而没有自我教育就不能想象会有完美的精神生活。我认为，教会学生自己教育自己，这是一种最高级的技巧和艺术。——苏霍姆林斯基

【篇七】欣赏艺术作文

在我房间的书架上，摆着一个醒目的陶瓷品，我可喜欢它了！这件陶瓷品不但可以用来摆设，还是我的存钱罐，平时，我一攒有硬币，就会把钱放到里面去，现在它已经很重啦！

这个陶瓷品是一间小屋子，小屋子高15厘米，它的整体都是圆的，类似一个圆柱体。古黄色的两层屋顶真像是一大一小叠在一起倒盖着的两个饭碗，屋顶上面还有一个用砖块砌成的浅蓝色小烟囱呢！屋顶下面是一排乳白色的门窗，门窗上有一条条泥黄色的木栏，有一个地方还做了一个突出的小窗台呢！颇为精致。屋子的下体是用很多奇形怪状的浅蓝色砖块砌成的，墙壁周围种满了绿树，树旁是一扇小木门，木门下还有几层小阶梯，显得非常拟人化。

不远处还有几潭明亮的湖水，做工精湛，让人看了不禁啧啧称赞。这间小屋子的主人是形象生动的老鼠三兄弟，粉红色的耳朵，骨碌骨碌的小眼睛，长长的尾巴，尖尖的嘴巴两边还长着两撮小胡须，活泼极了，生龙活虎的。瞧！老大正趴在窗口旁伸手要偷屋外的鸡蛋呢！再瞧！老二双手小心翼翼地捧着刚偷到的食物，正一蹦一跳地回家，尾巴翘得老高，脸上笑得可欢了，它得意地看着哥哥，仿佛在说：“看！我比你有本事！”而最活泼可爱的老三，它正趴在小窗...我最喜欢的一件工艺品在我房间的书架上，摆着一个醒目的陶瓷品，我可喜欢它了！这件陶瓷品不但可以用来摆设，还是我的存钱罐，平时，我一攒有硬币，就会把钱放到里面去，现在它已经很重啦！

这个陶瓷品是一间小屋子，小屋子高15厘米，它的整体都是圆的，类似一个圆柱体。古黄色的两层屋顶真像是一大一小叠在一起倒盖着的两个饭碗，屋顶上面还有一个用砖块砌成的浅蓝色小烟囱呢！屋顶下面是一排乳白色的门窗，门窗上有一条条泥黄色的木栏，有一个地方还做了一个突出的小窗台呢！颇为精致。屋子的下体是用很多奇形怪状的浅蓝色砖块砌成的，墙壁周围种满了绿树，树旁是一扇小木门，木门下还有几层小阶梯，显得非常拟人化。不远处还有几潭明亮的湖水，做工精湛，让人看了不禁啧啧称赞。这间小屋子的主人是形象生动的老鼠三兄弟，粉红色的耳朵，骨碌骨碌的小眼睛，长长的尾巴，尖尖的嘴巴两边还长着两撮小胡须，活泼极了，生龙活虎的。

瞧！老大正趴在窗口旁伸手要偷屋外的鸡蛋呢！再瞧！老二双手小心翼翼地捧着刚偷到的食物，正一蹦一跳地回家，尾巴翘得老高，脸上笑得可欢了，它得意地看着哥哥，仿佛在说：“看！我比你有本事！”而最活泼可爱的老三，它正趴在小窗台上聚精会神地看着屋外的鸡蛋，可能正在寻思找个时机把鸡蛋偷走。这三只小老鼠的举动、样子是多少可爱、有趣啊！人们以他们丰富的想象力、巧夺天工的手艺造就了这些栩栩如生、惟妙惟俏的工艺品，真令人佩服得五体投地！ 我不仅喜爱这件漂亮的工艺品，更热爱生活中的艺术，它给人以美的熏陶，耐人寻味，它是我们生活中一样不可缺少的东西。

【篇八】欣赏艺术作文

在一个深秋的下午，落叶离开了母亲的怀抱，投向了大地。寒风一阵又一阵地吹过，令路人都不由得打了一个喷嚏。

在这样的秋季，也是个丰收的好季节，每个农夫都在忙碌。而我，也就在这个时候来到了美术展览馆。这次的展览是前所未有的，它将所有的世界名画都制作成了动态效果，却仍然不失名画的风采。

这个展览馆是在地下的，其结构宛如迷宫，可以让你走不出来，因为你会被画作所吸引，痴迷其中。两端各设一个检票口，为了人身的安全和你的诚实。场馆以白色为主色调，让人觉得整洁又神秘。

我走进了这个展览厅，跟随着讲解员的脚步，我记忆最深的并不是拥有者“神秘的微笑”的蒙娜丽莎，而是在众人围观中的《采穗》。

画上描绘了三位带着头巾、穿着长裙的妇女在金色印染绿色的稻田中忙碌。一位带着蓝色头巾的，她显得十分苍老，一只龟裂的手紧握着一丛稻穗，双腿弯曲着，似乎想站起来，却走不动了。一位带着白色头巾的妇女，脸上展现出了些许苦恼之色，手中的穗都掉落了几根。仿佛在抱怨，为什么一天到晚都要收割?最后一个妇女，她的腰弯得很低，只能看到她的半边脸，两只手都握着金黄的麦穗。如一只勤劳的蚂蚁，奋力地干活，不留瑕疵。

“啧啧，这幅画和现实中的景象一样呢!”另一位观看者说：“是呀!连表情都刻画如此得惟妙惟肖呢!他们可真辛苦!”

是呀，那传神的表情让人看了就会浮现生活中的情景，一位老妇人弓着腰，在太阳猛烈的照射下辛苦地工作。

这幅《采穗》成了我印象最深的话，它所表达的不仅仅是采穗的场景，而且还将每个人的情感都加入了其中。

秋天的稻田深深地刻记在了我的脑海，而每当看到“稻田”两字时，我就会被深深地吸引。

我还看到了一副叫《田园》的抽象画。似女孩在田野中奔跑，风儿吹起了她的长发;似甲虫在田野中嬉戏，无拘无束地飞翔;又似水珠在麦叶上停留，紧抓住麦叶不放。

深秋的寒意，都被田野中的欢乐冲淡了。画面上的情感，令我温暖。

【篇九】欣赏艺术作文

中班艺术：京剧欣赏

活动目标

1、欣赏京剧表演，感受中华传统文化的魅力。

2、尝试用简单的动作表演京剧。

3、学唱京味歌曲，感受京剧韵味。

活动准备

京剧片段、《说唱脸谱》音乐。

活动过程

一、激发兴趣。

――播放京剧选段，请幼儿欣赏并讨论：这是什么表演？你最喜欢哪部分？为什么？（音乐、脸谱、服装、唱法等）

二、学习京剧表演。

1、再次观看京剧选段，提醒幼儿注意主人公出场亮相动作，感受京剧唱腔。

2、教师带领小朋友们一起学学京剧亮相动作。

1、教师带领幼儿学唱一句京剧，感受京剧唱腔。

三、欣赏京味歌曲《说唱脸谱》。

1、教师引导幼儿感受歌曲的京剧韵味。

2、请幼儿跟随歌曲和教师进行学唱。

四、结束活动。

――教师带领幼儿一起做京剧亮相动作，用京剧唱腔一起说“下课”，结束课堂。

活动应变

第三个环节可以在第二个活动中进行。

活动延伸

1、有条件的情况下，带领幼儿一起观看现场京剧。

2、用京剧唱腔，简单地编排一部舞台剧。

区角活动

表演区：投放京剧音乐片段或《说唱脸谱》音乐、不同的脸谱，鼓励幼儿戴上脸谱，进行表演，注意突出对应的人物性格。

美工区：为幼儿提供脸谱形状纸张，请幼儿进行脸谱创作。

环境创设

将京剧剧照、京剧服装、脸谱、乐器图片贴在主题墙上。

家园同步

1、家长跟幼儿一起观看京剧等其他中国戏曲形式，介绍各种戏曲形式的特色给幼儿。

2、请幼儿利用幼儿用书向家人进行简单的京剧表演。

随机教育

京剧是我们的国粹，时刻给幼儿传授传统文化知识，让幼儿喜欢中国的传统文化。

相关链接

1、跟幼儿一起欣赏其他中外艺术形式，感受各个艺术独特的表现力，提高幼儿的`艺术表现力。

2、欣赏李玉刚歌曲《新贵妃醉酒》，感受传统艺术形式与现代艺术形式结合的魅力。

附录：中国戏曲

中国戏曲主要是由民间歌舞、说唱和滑稽戏三种不同艺术形式综合而成。它起源于原始歌舞，是一种历史悠久的综合舞台艺术样式。经过汉、唐到宋、金才形成比较完整的戏曲艺术，它由文学、音乐、舞蹈、美术、武术、杂技以及表演艺术综合而成，约有360多个种类。它的特点是将众多艺术形式以一种标准聚合在一起，在共同具有的性质中体现其各自的个性。中国的戏曲与希腊悲剧和喜剧、印度梵剧并称为世界三大古老的戏剧文化，经过长期的发展演变，逐步形成了以“京剧、越剧、黄梅戏、评剧、豫剧”五大戏曲剧种为核心的中华戏曲百花苑。中国戏曲剧种种类繁多，据不完全统计，中国各民族地区戏曲剧种约有360多种，传统剧目数以万计。其他比较著名的戏曲种类有：昆曲、粤剧、淮剧、川剧、秦腔、晋剧、汉剧、河北梆子、河南坠子、湘剧、黄梅戏、湖南花鼓戏等。

【篇十】欣赏艺术作文

在我们的身边，有许许多多的艺术，例如：绘画、音乐、书法、装饰、相声、雕刻等等。不过今天我就借这次习作的机会来给大家介绍一下我最欣赏的艺术——建筑。

一说到建筑，就非得提起它那悠久的历史了。早在古代，人们就凭借充满智慧的头脑和勤劳的双手制造了一些既美丽又壮观的伟大建筑了。一些古建筑保存、流传至今。例如：日本的赤诚山、埃及的金字塔等等。

首先，我先讲一下古代的建筑。说到中国古代的建筑，个人认为最具代表性、最典型的恐怕只有皇宫了。顾名思义皇宫是古代的一些皇帝所居住的地方。皇宫是古代社会中规模巨大的建筑，据说在古代只要有人当了皇帝，百姓们就得给皇帝建造皇宫。皇宫是由许多上等的材料建造而来的，有一些奢侈的皇帝为了让自己的皇宫变得更加雄伟壮观，竟然让手下们用金子打造宫殿，满足自己奢华的需求。不过皇宫里的建筑设计实在是巧夺天工，妙不可言，美丽的风景随处可见，比如说后花园、凉亭、湖等等。

介绍完了皇宫，下面我在来介绍一下中国历史上最伟大的建筑——长城。长城，想必同学们都听说过吧！长城，是古代的一个皇帝主张、指示修建的，名叫秦始皇。他为了抵挡住敌人的进攻，便下令修建了长城。据说秦始皇动用了成千上万的人力去修建长城，也有许多人因此而丧命。长城是用一种十分重的石头建造而成的，但是，在那个时候，运输工具并不发达，所以人们基本上靠手工运输这些石头，因此要承受着远远超出体力所能承受的重量！明代时，人们又在原有的基础上进一步完善了长城。现在的长城，连绵不绝、跌宕起伏，如果你能走完它，可以说是一位非常了不起的人了。长城，远看就像一条巨龙盘旋在中国的领土上。长城给我们的国家增添了许多民族色彩。

同学们，我向你们介绍了我所欣赏的艺术。其实，在我们的身边有许许多多的艺术，只要你用心去探索，就会发现属于你的艺术！

【篇十一】欣赏艺术作文

在春雨的抚摸后，空气更加清新，万物更加富有生机。在这个春意盎然的日子里，我随着父母来到了美术馆门口，准备参观美术馆。

我们随着人群排起了长队，而我的心情也十分激动，每当想到我马上就能看到世界著名画家的作品时，就恨不得希望时间能过得快一点儿，再快一点儿。我又看了看别人，他们也与我一样，把心情“挂”在了脸上。

很快，我们便进入了展厅。虽然展厅里人山人海，但是秩序却井然有序。所有人都在与画中的人物交换眼神。我也来到了一幅油画前，来欣赏它。

这是一幅平凡得不能再平凡的油画。可当我走近了它，仿佛身临其境：在烈日的照射下，有一片土地，已经干得不能再干了。“人”字形的裂痕到处都是。这时，太阳并不像人们赞颂的那样温柔、可爱，而是像一头凶猛的野兽，在不断地搜索着食物。就是在这没有一点儿水的情况下，奇迹发生了！一丝绿色竟然出现在我的视野里！这是一颗嫩绿的小苗，它的枝叶翠绿欲流，好像有许许多多的话想吐露出来……

就在这短短的一瞬间，我的心就像在一万只鼓同时响起，完完全全地被震撼了！这一幅平凡的画在我心中确是伟大的。它让我突然明白：在这样恶劣的环境下，它没有放弃对生命的希望，而是顽强、不屈服，为了生命的重生，它在不断地努力着。

我看到的只是一个蓬勃向上生命。但是，我还看到它在地下的痛苦和挣扎，它在顽强地拼搏着。“阳光总在风雨后”，没错，当它舒展枝叶时，心情是多么激动。

就是这样的一棵小苗，它的精神让我们永远顽强、永远努力、永远向上参观美术馆。

在回家的路上，我“带走”的不仅是著名画家们别具一格、独具匠心的特点，还是一颗幼小的种子，他正在泥土里不断地挣扎，不断地拼搏，不断地生长着……

【篇十二】欣赏艺术作文

今天听了“高山流水”(古筝版)

感受到作者是多么富有诗情画意呀

将急速的水流描写的淋漓尽致

我一边品，一边想象

啊!那哗哗流淌的水，一泻千里

如若身临其境，那是多么惬意的享受呀

仿佛在瀑布附近的小亭里面

吟诗作画，也不妨架上古筝

把高山流水的情景描绘出来

再听听“月光曲”

感受江南海边的美丽景象

伴着音乐，眼前仿佛看见月光洒满大海

月亮落下去了

音乐也接近尾声

在一阵轻轻的音乐声中，夜深了

欣赏艺术，感受艺术的存在

哪怕是一幅画、一首歌、一个不起眼的雕刻品

在我心中，它们都是艺术

今天，我欣赏了两首音乐

现在，脑海你还想象着高山与流水的美丽

还幻想着月亮升下去后的故事

……………………

【篇十三】欣赏艺术作文

我天生就喜欢绘画。小时候，我让妈妈画小鸡，画小狗，画一切我感到好玩的东西，然后，我就不厌其烦的想照“葫芦画瓢”，尽管画出来的是“四不像”，我也乐此不疲。很多时候我也“独立创作”，画的根本看不出是什么，可我也仍执拗地说它是一种只狗或一只猫。我家那雪白的墙壁可遭了殃，绿一道，红一道，可我认为那是我的“绘画展”，是我家最美丽的地方。

上学后，老师见我有绘画的天赋，便让我参加了学校的国画班。我非常高兴，抓起画笔来信手涂鸦，老师摇摇头，手把手地教我们拿笔、蘸墨、调色……我刚开始觉得有点儿晕，这些动作太繁琐。不过学了一些日子后，我的手法便熟练了一大些，画的画也稍有起色。我看看同伴画的，他们很多画的比我好，我也知道了“天外有天，人外有人”，不再骄傲自满。

每一幅画画完后，老师都让我们把纸折起来扔掉。我不明白，为什么辛辛苦苦画完的画要扔掉呢？有一次我认真的画了幅画，自己感觉很满意。恰巧老师在作画，我便把这幅作品折好，悄悄塞进了包里，想回家贴起来炫耀一下。这一切老师其实都看在了眼里，他语重心长地对我说：“没有最好，只有更好。不要满足于现在的水品平，这些只代表过去，你还可以做得更好！”我使劲点点头，把老师的话牢牢记在心中。

在学画的过程中，我收获的不但有画技，还有很多人生的道理。虽然后来国画班取消了，但我的绘画之路还会继续走下去。

【篇十四】欣赏艺术作文

推荐小引：

被美国图书在线评为最畅销书之最，虽然已经出版了六十二年，不过话题还是新鲜恒久，书中显露的男权主义痕迹虽已过时，不过妙趣横生的分析和描写还是让你一口气把它读完。许多诗人和作家都描写过亲吻的美妙 -- 莎士比亚说：亲吻是爱的封印。古罗马诗人说：亲吻是夏季开满鲜花的草场，是姑娘双手温暖的虎珀，是吸引蜂蝶的花束。

Yes, a kiss is all of these ... and more.

THE ART OF KISSING

by HUGH MORRIS

--------------------------------------------------------------------------------

CONTENTS

Different Kinds of Kisses

Why People Kiss

Why Kissing Is Pleasant

Approved Methods of Kissing

Kisses Are But Preludes to Love

Preparing for the Kiss

How to Approach a Girl

The Technique of Kissing

How to Kiss Girls with Different Sizes of Mouths

Enjoy the Thrills of Kissing

The French “Soul” Kiss

Put Variety into Your Kisses

The “Vacuum” Kiss

The “Spiritual” Kiss

The Eyelash Kiss

The “Pain” Kiss

The “Nip” Kiss

Variation Kisses Are the Spice of Love

Electric Kissing Parties

The Dancing Kiss

The Surprise Kiss

Kissing Under the Mistletoe

Kissing Games

--------------------------------------------------------------------------------

“ARRANGE IT SO THAT THE GIRL IS SEATED AGAINST THE ARM OF THE SOFA”

The dictionary says that a kiss is “a salute made by touching with the lips pressed closely together and suddenly parting them.” From this it is quite obvious that, although a dictionary-may know something about words, it knows nothing. about kissing.

If we are to get the real meaning of the word kiss, instead of going to the old fogies who compile dictionaries, we should go to the poets who still have the hot blood of youth coursing in their veins. For, instance, Coleridge called a kiss, “nectar breathing.” Shakespeare says that a kiss is -a “seal of love. Martial, that old Roman poet who hid ample opportunity to do research work on the subject, says that a kiss was ”the fragrance of balsam extracted- from aromatic trees; the rise odor yielded by the teeming saffron; the perfume of fruits mellowing in their winter buds; the flowery meadows in the summer; amber warmed by the hand of a girl; a bouquet of flowers that attracts the bees.“

Yes, a kiss is all of these ... and more.

Others have said that a kiss was: the balm of love; the first and last of joys; love"s language; the seal of bliss; love"s tribute; the melting sip; the nectar of Venus; the language of love.

Yes, a kiss is all of these . . . and more.

For a kiss can never be absolutely defined. Because each kiss is different from the one before and the one after. just as no two people are alike, so are no two kisses alike. For it is people who make kisses. Real, live people pulsating with life and love and extreme happiness.

DIFFFERENT KINDS OF KISSES

Of course, there are different kinds of kisses. For instance, there is the kiss that the devout person implants on the ring of the Pope. There is the maternal kiss of a mother on her child. There is the friendly kiss of two people who are meeting or are separating. There is the kiss that a king exacts from his conquered subjects. But although all of these are called kisses, they are not the kisses* that we are going to concern ourselves with in this book. Our kisses are going to be the only kind of kisses worth considering . the kisses of love. The kiss perhaps, that Robert-Bums had in mind when he wrote:

Honeyed seal of soft affections,

Tenderest pledge of future bliss,

Dearest tie of young connections,

Love"s first snowdrop, virgin kiss.

The amazing thing about the kiss is that although mankind has been kissing ever since Adam first turned over on his side and saw Eve lying next to him, there has been practically nothing written on the subject. Every year, hundreds of books are published telling you how to reduce, how to gain, how to get a job, how to cook, how to write and even how to live. But, on the art of kissing, very little has been written. - One reason for this lack of proper instruction is accounted for by the Victorian. sense of morals which has persisted through the ages. To the blue-nosed Puritans of the past anything that concerned love was dirty, pornographical. John Bunyan"s writings show what these, Puritans thought of" the kiss. He wrote in big infamous ”The Pilgrim"s Progress,“ ”the common salutations of women I abhor. It is odious to me in whomsoever I see it. When I have seen good men salute those women that they have visted, or that have visited them, I have made my objections against it; and when they have answered that it was but a piece of civility, I have told them that it was not a comely sight. Some, indeed, have urged the holy kiss; but then, I have asked them why they make their balks; why they- did salute the most handsome and let the ill-favored ones go.“ Perhaps old Bunyan thought that way because be was one of the ”ill-favored“ who went unkissed and were let ”go.“

But, nowadays, people have taken a broader outlook on life. Our plays are becoming more civilized and less stiff. Our arts are no more censored by laws. Our books are being written about subjects that no self-respecting author would ever have dared to put into a book. Birth-control, divorce and the science of marriage are common subjects for books. Even the strange vices of mankind are brought out into the open and discussed and not allowed to fester in the dark chambers of censorship. Yes, books like Van de Velde"s ”Ideal Marriage“ and Stope"s ”Married Love“ Ire openly sold in bookstores. But, nowhere, do we find a book which instructs people in the art of kissing, an art which is an absolute essential to a happy -life, as we shall discuss in the oncoming pages of this book. Is it because we are not absolutely freed from the shackles of prudishness? In certain parts of this country, men have been arrested for kissing their wives on the street! Is this civilization?

So it is, that this book is being written. It is going to be a manual of the kiss. In it we are going to discuss the most approved methods of kissing, the ad" vantages. of certain kinds and, with the disadvantages of others, the mental and physical reactions of kissers, historical episodes of kissing together with examples from the literature of the world in which kisses were the subject. So, gird up your loins, pucker up your lips and let"s to the kissing arena!

WHY PEOPLE KISS

What happens when a man and a woman kiss?

That is to say, what happens, to the various parts of the body when two people in love join their lips in bliss? Years ago, before our biologists knew of the existence of the glands in our bodies, one writer quoted a scientist as saying that ”kissing is pleasant because the teeth, jawbones and lips are full of nerves, and when the lips meet an electric current is generated.“

What nonsense! what utter nonsense!

In the first place, two people kiss because they are satisfying, a hunger within them, a hunger that is as natural as the hunger for-food, water and knowledge. It is the hunger of sex that drives them to each other. After that, hunger has been satiated, then comes the hunger for a home, for children and for marital happiness. This hunger is instinctive, that is, we are born with it, all of us, and we cannot learn it or acquire it in any way.

WHY KISSING IS PLIEASANT

Once this hunger for the opposite sex evidences itself, there occurs in the human body what is known as tumescence which, in simple language, is the rhythmical contraction of the various muscles of the body together with the functioning of certain glands, just which glands science has been unable to say definitely. Gland specialists know, by performing certain operations, that the adrenal, the pituitary, the gonad and certain other glands, control the sexual behavior of human beings. It is these glands that re-act, that secrete what are known as hormones into the blood which, in turn, carries them into the various organs effected by a sexual reaction.

Therefore, it can be seen that it is the partial satisfying of the sex-hunger that makes kissing pleasurable." Electricity is used for turning motors and lighting lamps and heating curling irons. But electricity 4oes not give complete satisfaction to the kiss.

But enough of dry science!

We have ahead of us pleasurable reading of the bliss of the kiss. Now that we have learned why it is that men and women kiss, let us go into the methods used in. kissing so as to derive the most satisfaction from this most soul-appeasing of pleasures.

APPROVIED METHODS OF KISSING

The only kiss that counts is the one exchanged by two people who are in love with each other. That is the first essential of the satisfying kiss. For a kiss is really the union of two soul-mates who have come together because they were made for each other. The. reason for this is that the kiss is really the introduction to love, true love. The kiss prepares the participants for the love life of the future. It is the foundation, the starting point of sexual love. And it is for that reason that the manner in which the kiss is performed is so vitally important.

There are still young women extant who believe that babies are the result of kisses Actually! this is a fact! And this condition exists because our parents, in the main, are either ignorant of the methods of explaining sex to their children or are too embarrassed to enlighten them. The result is that their children obtain their sexual information from the streets and alleys or else remain ignorant of it and believe such things as was mentioned above.

KISSES ARE BUT PRELUDES TO LOVE

Man and woman are born to love, marry and beget children. Woman is so physically constituted that she is the one who bears the child. Man, on the other hand, is given the duty of being the protector of his wife and, after they are born, of his children. Therefore, he must always be the one who takes the initiative. He must be strong, he must be willing, he must be physically able to take care of his charges, He must be the aggressor.

It is, therefore, necessary that the man be taller than the woman. The psychological reason for this is that he must always give the impression of being his woman"s superior, both mentally and especially physically. The physical reason, with which we are more concerned, is that if he is taller that his woman, he is better able to kiss her. He must be able to sweep her into his strong arms, and tower over her, and look down into her eyes, and cup her chin in his fingers and 1 hen, bend over her face and plant his eager, virile lips on her moist, slightly parted, inviting ones. All of this he must do with the vigor of an assertive male. And, all of these are impossible where. the woman is the taller of the-two. For when the situation is reversed, the kiss becomes only a ludicrous banality. The physical mastery is gone, the male prerogative is gone, everything is gone but the fact that two lips are touching two other lips. Nothing can be more disappointing.

PREPARING FOR THE KISS

A paragraph back, we mentioned that the woman"s lips were slightly parted when she awaited the lips of her lover. There was a reason for using this description. Always, in any sort of kiss, just before the male"s lips settle onto the lips of his partner, the female"s lips should be slightly parted. One reason for this is that cherry-red lips serve as a charming frame for a row of gleaming, white, even teeth. The picture that confronts the kisser is one that draws him onward. And even, months later, when he thinks back to the kiss in the retrospect, he will remember that pretty little picture of the pearls of teeth nestling in their frame of-cherries.

The deliciousness of a long-remembered kiss was beautifully expressed in a poem "called, ”Three Kisses,“ in which occurred the verse:

I gently raised her sweet, pure face,

Her eyes with radiant, love sight filled.

That trembling kiss I"ll ne"er forget

Which both our hearts with rapture filled.

Another reason for-parting the lips is that there is a definite gratification the male obtains from the delicious odor that emanates from his loved one"s mouth. John Secundus, in describing a kiss,. said - that !& lover"s kiss was like:

”... every aromatic breeze That wafts from Africa"s spicy trees;“

The odor of a woman"s hair can send shivers of joy coursing up and down a man"s spine. The odor of her body can convulse him with throes of passion. Odors are as necessary to love as is love, itself. That is why it is so essential that the lips be parted just before the kiss. And that is why the breath should be kept always sweet and pure so that, when the lips art opened, the breath will be like an ”aromatic breeze.“ Sometimes it is advisable to touch the corners of the mouth with perfume. But be certain that there is only the faintest suggestion of an odor and no more. Another thing, lipstick is definitely out in the kiss, because it comes off so readily. A very light coat of lipstick should be worn so that, when it does come off, it will not serve to betray you. Similarly, the teeth should be kept cleaned and polished. Nothing can dampen a young man"s ardor, or a young woman"s for that matter, than a row of brown-stained, unkempt teeth.

HOW TO APPROACH A GIRL

In kissing a girl whose experience with osculation is limited, it is a good thing to work up to the kissing of the lips. Only an arrant fool seizes hold of such a girl, when they are comfortably seated on the sofa, and suddenly shoves his face into her"s and smacks her lips" Naturally, the first thing he should do is to arrange it so that the girl is seated against the arm of the sofa while he is seated at her side. In this way, she cannot edge away from -him when he becomes serious in his attentions. This done, on some pretext or another, such as a gallant attempt to adjust the cushions behind her, he manages to insinuate his arm, first around the back of the sofa and then, gradually, around her shoulders. If she flinches, don"t worry. If she flinches and makes an outcry, don"t worry. If she flinches, makes an outcry and tries to get up from the sofa, don"t worry. Hold her gently but firmly, and allay her fears with kind, reassuring words. Remember what Shakespeare said about ”a woman"s no! However., if she flinches and makes an outcry, a loud, stentorian outcry, mind you, and starts to scratch your face, then start to worry or start to get yourself out of a bad situation. Such girls are not to be trifled with ... or kissed. It is such as they, in most cases, who still believe the story 6f the stork which brings babies because of the consequences of a kiss.

But if your arm is comfortably reposed across the girl"s shoulders and “all"s right with the world)” then your next step is to flatter her in some way. All women like to be flattered. They like to be told they are beautiful even when the mirror throws the lie back into their ugly faces.

Flatter her!

Catullus once wrote:

Kiss me softly and speak to me low;

Trust me darling, the time is near,

When we may live with never a fear

Kiss me dear!

Kiss me softly, and speak to me law

“Take a Deep Sniff of the Per- fume In Her Hair and comment On It”

Tell her she is beautiful!

Then, take a deep sniff of the perfume in her hair and comment on it. Tell her that the odor is like “heady wine.” Tell her that her hair smells like a garden of roses. Tell her anything, but be sure to tell her something complimentary. This done, it is only a natural thing for you to do to, desire to sink your nose deeper into her hair so that you can get the full benefit of its bouquet.

THE TECHNIQUS OF KISSING

Now is your chance I The moment you feel the tip of your nose touch her scalp, purse your lips and kiss her, the while you inhale a deep breath of air that is redolent with the exquisite odor of her hair. it is then but a few inches to her ear. Touch the rim of her ear with your lips in a sort of brushing motion. Breathe gently into the delicate shell. Some women react passionately to this subtle act. Brush past her here in this way again and note her reaction. If she draws her head away, return to her hair and sniff luxuriously of it. Then: settle back to her ear, the while you murmur “sweet, airy nothings” into it. From the ear to her neck is but another few inches.. Let your lips traverse this distance quickly and then dart into the nape and, with your lips well pursed, nip the skin there, using the same gentleness as would a cat lifting her precious kittens.

Then, with a series of little nips, bring your lips around from the nape of her neck to the curving, swerve of her jaw, close to the ear. Gently kiss the lobe of her ear. But be sure, to return to the tender softness of her jaw. From then on, the way should be clear to you. Nuzzle your lips along the soft, downy expanse until you reach the comer of her lips. You will know when this happens because, suddenly, you will feel a strange stiffening of "her shoulders under your arm. The reason for this is that the lips constitute one of the main erogenous zones of the body. The nerve ends in it are so sensitive that the slightest contact with them sends a pleasurable thrill immediately through the nervous system, through the medulla portion of the brain, back through the nervous system again, through branches which connect up with motor nerves, in this case the nerves that control the sphyncter muscles of the mouth and lips, and the sexual glands which were mentioned before.

In plain English, the kissee knows she is to be kissed.

Alright. You have subtly kissed the corner of her mouth. Don"t hesitate. Push on further to more pleasurable spots. Ahead of you lies that which had been promised in your dreams, the tender, luscious lips of the girl you love. But don"t sit idly by and watch them quivering.

Act!

Lift your lips away slightly, center them so that when you make contact there will be a perfect union. Notice, only momentarily, the picture of her teeth in her lips. And, then, like a sea-gull " swooping gracefully down through the air, bring your lips down firmly onto the lips of the girl who is quivering in; your arms.

Kiss her!

Kiss her as though, at that moment, nothing else exists in the world. Kiss her as though your entire life is wrapped up into the period of the kiss. Kiss her as though there is nothing else that you would rather be doing. Kiss her!

At this point, it is necessary for us to discuss a few subjects which are germane to the art of kissing, particularly in so fir as they apply to what has just been described. For instance, there has been raised quite a full in regard to whether one should close one"s eyes while kissing or while being kissed. Personally, I disagree with those who advise closed eyes. To me, there is an additional thrill in seeing, before my eyes, the drama of bliss and pleasure as it is played on the face of my beloved. I can see tiny wrinkles form at the comers of her eyes, wrinkles of joy. I can see fleeting spasms of happiness flit across her eyes. I can see these things and, in seeing them, my pleasurable reactions to the kiss are considerably heightened. In keeping my eyes open, I am giving pleasure not to one sense alone, the sense of touch, but to two senses, the senses of touch and of sight. These two, coupled with the sense of smell which is actuated by the perfume of her breath, all combine to make the kiss an exquisite, ineffable epitome of unalloyed bliss.

HOW TO KISS GIRLS WITH DIFFERENT SIZES OF MOUTHS

Another question which must be settled at this time concerns the size of the kissee"s mouth. A consideration of this factor is important. Where the girl"s mouth is of the tiny, rosebud type, then one need not worry about what to do. Merely follow the directions as they were outlined above. However, there are many girls whose lips are broad and generous", whose lips are on the order of Joan Crawford"s, for instance.. The technique in kissing such lips is different.

Different Sizes of Mouths Require a Different Technique in Kissing

For, were one to allow his lips to remain centered, there would be wide expanses of lips, untouched and, therefore, wasted. In such cases,. instead of remaining adhered to the center of the lips, the young man should lift up his lips a trifle and begin to travel around the girl"s lips, stopping a number of times to drop a firm kiss in passing. When you have made a complete round of the lips, return immediately to the center bud and feast there. Feast there as did that lover of Fatimas, in Tennysen"s poem, in which it was written that: “Once he drew, with one long kiss, my whole soul through my lips-as sunlight drinketh dew.”

Then, sip of the honey.

Like the bee that settles on the fragrant pistils of a flower, and sips in the nectar for honey, so should you sip in the nectar from between the lips of your love. And it is nectar. For there is in this mingling a symbol of the holy communion o f the spirits of two soul-mates, joined together in the bonds of an indissoluble love. It was a kiss such as this which caused the writer of an old German novel to write:

“Sophia returned my kiss and the earth went from under my feet; my soul was no longer in my body; I touched the stars; I knew the happiness of angels!”

ENJOY THE THRILLS OF KISSING

But don"t be in a hurry I As in all matters pertaining to love, don"t hurry the process of kissing. A kiss is too rapturous a thing to be enjoyed for the moment and the moment only. Linger longer on her lips than you have ever lingered before. Forget time. Forget everything but the kiss in which you are in the midst of. Don"t be like that bashful young lover who, after a sweet, long kiss, drew his lips away from the lips of his charmer. Immediately, She burst out into tears.

“What"s the matter?” he asked solicitously.

“You don"t love me I” she said between sobs.

“But I do!”

“Then why did you draw your lips away?”

“I couldn"t breathe,” he said naively.

Breathe? Who wants to breathe, who even wants to think of breathing in the middle of an impassioned kiss? Breathe through your nose if you have to breathe. But kiss, keep on kissing, as long as there! Is one minim of breath in you. Kiss, as Byron said we should kiss, with the “long, long kiss of youth and love.”

Recently, in Chicago, there was held a marathon kissing contest to determine Which couple could hold their kiss the longest without being forced to separate. One pair was able to hold their kiss for fifteen hours. Think of that! Fifteen hours. And yet the naive lad stopped kissing because be couldn"t breathe.

Elizabeth Barrett Browning must have spent many an ecstatic night of kissing with the poet, Robert Browning, if we are to judge from an excerpt from her “Aurora Leigh,” in which she described a kiss as being “As long and silent as the ecstatic night.”

Another poet, unknown, but certainly one who knew whereof he speaks, wrote the following poem which deserves to be quoted in its entirety.

Oh, that a joy so soon should waste,

Or so sweet a bliss as a kiss

Might not forever last!

So sugared, so melting, -so delicious.

The dew that lies on roses,

When the morn herself discloses,

Is not so precious.

Oh, rather than I would it smother

Were I to taste such another.

It. should be my wishing

That I might die kissing.

At this point, it should be explained that the lips are not the only part of the mouth which should be joined in kissing. Every lover is a glutton. He wants everything that is part of his sweetheart, everything. He doesn"t want to miss a single iota of her “million-pleasured joys” as Keats once wrote of them. That is why, when kissing, there should be as many contacts, bodily contacts, as is possible.

Snuggle up closely together. Feel the warm touch of each other"s bodies. Be so close that the rise and fall of each other"s bosoms is felt by one another.

Get next to each other.

“Snuggle Up Closely Together”

And, this same thing applies to the mouth in kissing. Don"t be afraid to kiss with more than your lips. After your lips have been glued together for some time, open them slightly. Then put the tip of your tongue out so that you can feel the smooth surface of your kissee"s teeth. This will be a signal for her to respond in kind. If she is wholly in accord with you, if she is, truly, your real love-mate, then you will notice that she, too, has opened her lips slightly and that., soon, her teeth will be parted. Then, if she is all that she should be, she should project the tip of her tongue so that it meets with the tip of yours.

Heaven will be in that union!

Lava will run through your veins instead of blood. Your breath will come in short gasps. There will rise up in you an Overpowering, overwhelming surge of emotion such as you have never before experienced. If you are a man, you will clutch the shoulders of your loved one and sense a shudder course through you that makes you pant. If you are a woman, and being kissed, you will feel a strange languor passing through your limbs, you-r entire body. A shudder will go through you. You will moan in the delicious transports of love. And, in all probabilities, you will go faint because the blood in your veins will be rushing furiously into your entire system and away from your head. Thus, you will be unable to think any longer. You will only be able to feel, td feel the most exquisite of pleasures that it has been your lot to feel.

THE FRENCH “SOUL” KISS

But don"t stop at this.

Surely, there is more to your tongue than merely its tip. Probe further. Go deeper. Gently caress ,each other"s tongues. For, in doing this, you are merging your souls. That is why this kiss was called the “soul” kiss by the French who were said to be the first people to have perfected it.. The French have always been a liberal minded people. And, it is because of the fact that they dropped Puritanism many years ago, that they were able to. perfect themselves in the art of love and, particularly, in the art of kissing.

Learn from the French.

Learn also from the Old Romans , especially Catullus, whose love poems to Lesbia have lived through the ages because of the sincerity of his passion and the genius of his ability to express his emotions in the form of beautiful poetry. For it was Catullus who wrote:

“Then to those kisses add a hundred more,

A thousand to that hundred so, kiss on!

To make that thousand up to a million;

Treble this million, and when that is done,

Let"s kiss afresh, as when we first begun.”

Kisses cost nothing. So kiss on. There is one thing that you cannot. take away from people and that is the ability to make love to each other. Despite the fact that the world suffered from a long depression, people continued to get married and they continued to have children. In fact, according to recently released figures, there were, more children born during the depression than there had been in good times. This means that, although married people did not have money, they still had themselves. They still had love. They still had the ability to kiss as they pleased and when they pleased and as often as they pleased.

Another poet asks:

What is a kiss? alack, at worst,

A-single drop to quench a thirst,

Tho oft it proves in happier hour,

The first sweet drop of one long shower.

Because kisses cost nothing.

So kiss on. Keep on kissing. Rare old Ben Jonson realized this when he wrote that, if he had one wish, it would be that he could die kissing. But it is not only the robust and lusty poets, like Ben Jonson, who are gluttons for kisses. There has been attributed to John Ruskin, an old fogy of a philosopher if ever there was one, a request from him to a young lady friend of his that she “kiss him not sometimes but continually.” Still another poet wrote:

Kisses told by hundreds o"er;

Thousands told by thousands more.

Millions, countless millions then

Told by millions o"er again;

Countless as the drops that glide

In the ocean"s billowy tide,

Countless as yon orbs of light

Spangled o"er the vault of night

I"ll with ceaseless love bestow

On those cheeks of crimson glow,

On those lips so gently swelling,

On those eyes such fond tales telling.

PUT VARIETY INTO YOUR KISSES

It is with the last few lines of this poem that our next subject for discussion concerns itself. As was mentioned before, the true lover is not satisfied with only one or two contacts. He wants n6thing to be held from him. It is for that reason that, when kissing a girl, after. you have given sufficient time to the kissing of her lips, you should vary your kissing by diverting your zeal to other portions of her face. Robert Herrick, who wrote, many beautiful love lyrics in his day, has a poem which ideally synthesizes this idea of varied kisses. In it he says:

It isn"t creature born and bred

Between the lips all cherry-red;

It is an active flame that flies

First to the babies of the eyes;

Then to the cheek, the chin and ear;

It frisks and flies-now here, now there-

"Tis now far off, and then "tis near;

Here and there and everywhere.

Let us say that you have revelled in a sweet, long kiss. Suddenly, you see your loved one"s eyes close as though in a moment of weariness. Gently detach your lips from her"s and raise them up to her closed eyelids. Drop a kisslet first on one eyelid and then on the other. Feel the rolling orb quiver under your lips. Then , when you have done this, run your lips down along the line of her nose, stopping at odd times to purse them into a tiny kiss. When you reach the wrinkle of her nostrils, bury your lips deeply into the curve and kiss little niblets into first one and then the other. If her eyes still are closed, repeat the process.

But return to the lips.

Never forget this important injunction, “Return to the lips,” for they can never become satiated with love"s ardent kisses. The little kisses that you have deposited on her eyes and her nose serve only to vary the Menu of love. They are but spice to the course of love"s banquet which should always be the “lip kiss.”

THE VACUUM KISS

The Vacuum Kiss

This time, when your eager lips have been deposited on the eager lips of the girl, try to vary the kiss. For instance" instead of using the soul kiss, try what is known as the “vac uum kiss.” Here you start off by first opening your mouth a. trifle just after you have been resting peacefully with closed lips. Indicate to your partner, by brushing her teeth with the tip of your tongue, that you wish for her to do likewise. The moment she responds, instead of caressing her mouth, suck inward as though you were trying to draw out the innards of an orange. If she knows of this kiss variations your maid will act in the same way and withdraw the air from your mouth. In this fashion, in a very short while, the, air will have been entirely drawn out of your mouths. Your lips will adhere so tightly that there will almost be pain, instead of pleasure. But it will be the sort of pain that is highly pleasurable. That may sound odd but, nevertheless, it is a fact. Pain becomes so excruciating as to become pleasure. This subject will be gone into very shortly in regard to what is known as the “bite kiss.” But, at present let I us continue with the “vacuum kiss.”

This kiss must, of necessity, last a comparatively short time. There is tog rill4ch strain on the delicate mouth tissues and the muscles tire very easily. It is .for that reason that this kiss should be shortened. However, there is a special technique to be used to terminating it. When you decide that you have had enough of it, don"t suddenly tear your mouth away. At least, don"t do it if there are other people present in the house. For, they will become startled by the sound of a loud report which will result if you act suddenly. Any vacuum when suddenly opened to air gives off a loud popping noise. The procedure is simply to open first a comer of your mouth. You will hear a faint hissing sound when this is done. Immediately, you will find the pressure in your mouth lessen. The muscles will relax. And a delicious sense of torpor will creep over your entire body, giving it a lassitude that is almost beatific.

But that is not all.

To every large dinner, there is always added a dessert or a lagniappe which is a topping-off tid-bit of the evening. The same should apply to the “vacuum kiss.” The minute you release Your lips, lift them" away from the tired lips of your lover. Then, without wasting a minute"s time, gently, delicately, softly, sensitively, oh so lightly, lower your pursed lips and place a tiny little kiss into the almost bruised lips of the girl. It is this little act of sympathy and condolence that makes the tie between you all the more firm. It tells the girl that you know how she feels and that you sympathize with her.

While resting from the joy-laden ardors of such a kiss, a few more variations are permissible and advisable. There should never be a let-down in a kissing session. Every moment must be filled with kisses. But they do not have to be kisses of the mouth. There are other kisses which, although they are not as satisfying as the lip kisses, still serve to keep the blood burning.

THE “SPIRITUAL” KISS

For instance, there can be kisses exchanged merely in intense glances. A sort of “spiritual kiss.” can pass between the adoring eyes of a pair of lovers. The hot blooded Latin races know the power of such kisses. Their fiery temperaments are ever questing for new delights, for variations, for delightful and artful ways of adding to the pleasure of love. There is a poem extant written by a young Spanish poet to his sloe-eyed, raven-tressed senorita. No doubt it was sung by him under her balcony while the romantic moon streamed down liquid beams. But the poem quite amply describes this point of kissing with things other than your lips.

Then she kisses with her eyelids,

Kisses with her arching eye-brows,

With her soft cheek softly rubbing,

With her chin and hands and fingers,

All the frame of Manuela,

All her blood and all her spirit,

All melt down to burning kisses.

There, Perhaps fifteen feet away from him, was the light of her love. Yet, by means of her eyes, she was able to kiss him so that their love continued to flower.

THE EYELASH KISS

A variation of this eye kiss can be practiced as a tender diversion. After an intense period of “soul or ”vacuum kissing“ has been indulged in and both lovers lie back tiredly, looking into each other"s eyes , the-young man should lean over the face of the girl. But, instead of implanting his lips on hers, he should bring his cheek into direct contact with her cheek again. Then, when this is done, he should lower his eyelash so that they enmesh with the eyelash of his partner. This, of course, is done one eye at a time. And when the enmeshing process is complete, each should gently raise and lower his or her eyelids. The contact of the hair of the eyelash is one that is almost indescribable. Suffice it to say, it is a charming bypath in the meadows of love that is pleasant, provocative and yet not exhausting.

THE ”PAIN“ KISS

A while back, mention was made of the ”Pain kiss.“ It is with this seemingly paradoxical pleasure that we shall deal with now. First of all, it is necessary to explain that, although an act can be painful, it can still be pleasurable. The explanation is merely another indication of the variability of human nature. To begin, there are some people who derive an extreme pleasure out of being whipped or burned or beaten. There is no rational explanation for this strange, delight. The fact remains that they react pleasurably to pain. These people are called masochists. Similarly, there are other people who derive the same pleasure out of being the ones who inflict pain or perform the beating. Their abnormality, too, is inexplicable. They are called sadists.

The point is this: these people have these strange desires in extremes. But normal people have similar desires but they are not so strong. They are present only in minute degrees. That is why some of us deliberately uncover ourselves in cold weather or continue to pick at a sore tooth although the act pains us. It is for this reason that most of us are able to derive pleasure from the ”pain kiss.“

The ”pain kiss“ is simply a tiny bite, a love nip.

Catullus, who knew his kissing, if we are to judge from the many poems he left on the subject, once rote:

Whom wilt thou for thy lover choose?

Whose shall they call thee, false one, whose?

Who shall thy darted kisses sip,

While thy keen love-bites scar his lip?

THE ”NIP“ KISS

Horace, another Roman, whose kissing proclivities have come down through the ages because of his love poems, also wrote something about the ”nip-kiss“ when he said:

Or on thy lips, the fierce, fond boy

Marks with his teeth the furious joy.

So you see, it is perfectly normal people, if you can call poets normal people, who indulge in the ”pain kiss“ and derive intense pleasure from it. Punishment, after all, can be more than painful. For instance, in another poem, a poet says:

And if she dared her lips to pout,

Like many pert young misses,

I"d wind my arms her waist about

And punish her with kisses.

Naturally, in the ”nip-kiss“ the kisser is not supposed to open his mouth like the maw of a lion. and then sink his fangs into the delicate-flesh of the kissee. Ridiculous! The procedure is the same as the ordinary kiss except that, instead of closing your lips with the kiss, you leave them slightly. open and, as though you were going to nibble on a delicious tid-bit, take a playful nip into either the nape of the neck, the cheek or the lips. just a nip is enough. And the resultant pleasure, I assure you, will more than compensate for the slight inconvenience of pain.

Now there might be some of you who may wonder why such kissing subterfuges and substitutes are necessary. It is only that man is a questing animal. He is never satisfied with the ordinary and commonplace because the commonplace, after a time, becomes very boring. Not that I mean to infer that the usual ”lip-kiss“ is commonplace.. Absolutely not. The ”lip-kiss,“ as I have mentioned before, is the piece de resistance, the main course in the ”banquet of love“ as the poet, Qvid, called it. But imagine a meal in which there were seven courses of filet mignon or seven courses of lobster. You"d get sick and tired of a tender filet after the third course, wouldn"t you? And after the second lobster, you wouldn"t be able to look a lobster in the eye, that is, providing a lobster has eyes. So you see why it is that if the lip-kiss were indulged in exclusively, you would reach a point where it would lose all of its rapturous savor.

VARIATION, KISSES ARE THE SPICE OF LOVE

A variation 6f the ”lip-kiss“ can be performed very nicely. Instead of pressing the lips together at one spot, start at one corner of the mouth and brush your closed lips across the entire mouth. A variation of this, in turn, is to part your lips slightly and, with the tip of your tongue in the groove that separates the two lips, brush your lips from side to side. Naturally, .additional variations to this last variation suggest themselves immediately to the aware practitioner of the kiss. In fact, to such a person there should come up hundreds of other variations to titillate and titivate the senses.

One such variation suggests itself. Technically, it is not exactly a variation but simply a variation in the technique of the ordinary ”lip-kiss.“ It employs the use of the ”.delayed action“ in its execution. The old story of the fox and the grapes which were tantalizingly dangled over his head is the foundation for the method. Simply, the procedure is this: just before lowering your lips for the kiss, instead of planting the kiss, draw your head back again. Then, hold your lips in readiness but do not-kiss. Hold this position for as long as possible the while you smile tantalizingly into the eyes of the girl. Finally, when both you and she can stand the suspense no longer, then lower your lips, Slowly, as slowly as you possibly can, and imprint the seal of-love onto the avid mouth of your loved one. After that, the technique calls for no specific action. Kissing, like loving, is instinctive.

ELECTRIC KISSING PARTIES

Some few years ago, a very peculiar kissing custom arose which deserves mention here because, from it, we can learn how to adapt the method to our modem devices. At that time, when young people got together, they held, what was then known as, ”electric kissing parties.“ Young people are ever on " the outlook for novel ways of entertaining themselves. In fact, when ether was first developed as an anesthetic, the young bloods of the town used to form ”ether-sniffing“ parties in which they got a perfectly squiffy ether ”jag.“ But to return to the ”electric kisses.“ An excerpt from a contemporary writer will, perhaps, give us some idea of what happened.

”The ladies and gentlemen range themselves about the room. In leap year the ladies select a partner, and together they shuffle about on the carpet until they are charged with electricity , the lights in the room having been first turned low. Then they kiss in the dark; and make the sparks fly for the amusement of the onlookers.“

The same sort of experiment could be performed nowadays, on cold, dry nights when the air is overloaded with electricity. But be certain that neither you nor your partner touches each other after shuffling furiously on the carpet with your feet. Merely lean over slowly and, when your lips are about half an inch apart, slow the process down even more until the spark jumps. However, considerable practice should be had before this kiss variation can be done successfully. The natural reaction to this sort of shock is to pull away from each other. But, try to resist this natural impulse because, if you do not kiss the moment after the shock has been perpetrated, the pleasure will be all gone.

Once you have practiced this for Some time, you will become so innured to the slight shock that you will seek more potent electric shocks. These can be obtained with the use of an electric vibrator or in fact, any device that is worked from a battery and a coil which steps up the weak 3 volts of the battery. Shooting galleries have electricity testing devices of this nature which have two handles. No matter what you use, the method is as following: first you take hold of one pole of the live wire, of the handle of the machine, if that is what you are using. Then, your partner should take hold of the other pole, or handle. This done, bring your lips together until there is about an eighth of an inch separating your lips. At this moment, turn the rheostat that increases the current. As soon as the charge is strong enough, a sudden, intense spark will jump the gap of your lips. Again, learn not to flinch but to seize hold of the opportunity of bringing your lips together in a grand, climactic kiss. The advantage of this, method is that you can regulate the electrical charges go that, when you become innured to one strength, you can increase the current almost indefinitely.

A word of warning, however, is apropos here. Be satisfied with the current generated by this battery set. Don"t be like a young friend of mine who discovered that the battery set, even at its highest output, was too weak for him and his partner. Being of an experimental nature, he decided to see what would happen were he to use the ordinary house current as the electrical stimulus. And so, together with his partner, he placed himself in front of an electric wall outlet into which he had screwed a plug and a wire whose end had been, frayed so that the two wires were separated. Taking hold of one wire, he advised the girl to take hold of the other., Then, using the usual ”electric-kiss“ technique, he bent over and started to bring his lips slowly towards the girl"s lips. He got as far as about half an inch from her lips, and that"s all. Because, a moment later, he saw a blinding flame sear across his eyes and he felt an enormous blow jolt him off his feet. When he came to enough to realize where he was, he found himself asprawl on the floor, his girl friend in a similar position a few feet away. The result was a pair of burned lips and a combined determination to stick to the old fashioned way of kissing. The burned lip will always spurn the flame.

THE DANCING KISS

The Dancing Kiss

A very pleasant way to kiss is found in the ”dancing kiss.“ Here, again, it is the closeness of the bodies of the participants that adds to the enjoyment. What more could a pair of lovers ask for than a dimly lighted dance floor, the tender, rhythmical strains of a waltz being played by Wayne King, their arms around each other, their eager young bodies kissing each other in a myriad of excitable places, the while, their cheeks meet in glowing, velvety strokes? Naturally, in such situations, the rules of social etiquette w ill not allow the pair to enjoy an extremely appropriate ”lip kiss.“ Although this can very easily be accomplished in the privacy of one"s parlor while the radio is broadcasting the music. In fact, the ”electric kiss“ can be ideally performed under these circumstances. But, when dancing in a public place, the only kisses allowed would be those surreptitious ones stolen under the straying eye of the chaperone. Under the pretense of whispering pretty nothings into your partner"s shell of an ear, allow your lips to touch her earlobe, her cheek and her chin. A few covert eye-kisses, perhaps, can be stolen in this manner, too. But, these stolen sweets should suffice the happy couple until they return home,. Then, stimulated by the forepleasure of these previous non-lip kisses, the pair can indulge in all the variations listed in this booklet, to their hearts" and their lips" content. The while they recall, perhaps, those lines from Sir John Suckling"s ”Ballad of a Wedding,“ which went:

Oh, they sudden up -and rise and dance;

Then sit again, and sigh, and glance;

Then dance again, and kiss.

THE SURPRISE KISS

A most charming manner of kissing is called the ”surprise kiss.“ This is performed when one of the parties has fallen asleep, on the sofa, let us say. On entering the room, when the other sees his lover asleep, he should tip-toe softly over to her. Then, lowering his head slowly, he should implant a soft, downy, feathery kiss squarely on her lips. This first kiss should be a very light one. -But, thereafter, the intensity of the kisses should increase until the sleeping one has awakened. and, of course, even beyond that. The effect of such an awakening to a sleeper is almost heavenly. For, while in the midst of a dream, a pleasant one, most likely, for it will concern the other half of the couple, she feels vaguely, faintly, as though it were the touch of a butterfly"s wing, a subtle kiss on her lips. Naturally, in the depths of her sleep, she imagines that it is part of her dream and the result. is a pleasant sensation, indeed. Then, gradually, athough still asleep, she feels the kisses continue. And the pleasantness continues. Then, as she starts to come out of her sleep, she realizes that the kisses are to real for a dream. But she is sure that she is dreaming. And so, immediately, a relapse from the happiness sets in and a twinge of sadness comes over her because she knows that", instead of being with her lover, she is only dreaming of him. Imagine, then, her extreme gratification, when, while thinking these drab thoughts, she feels the actuality of an intense, ardent kiss on her lips. Her heart flutters wildly. Her pulse runs riot. Perhaps she is not asleep, she argues to herself. Then she opens her eyes. And she sees the darling face f her beloved bending over her. And she feels the sensuous touch of his lips on hers. Truly, no awakening can be more pleasurable!

KISSING UNDER THE MISTLETOE

Perhaps, in conclusion, it would be appropriate to make mention of a few kissing customs which have intrigued mankind. For instance, there is the rite of kissing under the mistletoe, at Christmas time. The origin of this custom is uncertain. Suffice it to say, it must have been started by some woman because, in, it, She rule is that if a woman is caught standing under a sprig of mistletoe, any man has the right to kiss her, peremptorily, without asking her permision or begging her pardon. Here is one time when social convention doses its eyes to lover"s delights. For, then, you can seize hold of the girl with impunity and smack her to your heart"s content without being socially ostracized for it.

KISSING GAMES

One wonders at the prevalence of kissing games in this civilization. Games on the order of ”Postoffice,“ ”Kiss the Pillow“ and innumerable others which have been devised for the jovial disports of lovers. In these games, because they are games, it is perfectly legitimate for two people to lass. In fact, in the game Postoffice” this kissing is encouraged behind closed doors where- the happy couple are alone in a room. The game is so widespread that comment in regard to the manner in which it is played would be extraneous here. But, what would make an excellent topping off for this booklet, would be a conjecture as to the reason for the prevalence of such games, even during the. dreaded Victorian -times , when etiquette was so strict that the dictum was made forbidding the placing of a book by a female author next to a book written by a man!

These kissing games existed and shall continue to exist because man and woman must kiss. In fact, man is the only animal who uses the kiss to express his love and affection. Dogs, cats and bears lick their offspring. Horses and cows rub noses and necks. Birds nestle together.

But, only mankind kisses.

Only mankind has the reason, the logic, the happy faculty of being able to appreciate the charm, the beauty, the extreme pleasure, the joy, the passionate fulfillment of the kiss! Nature kisses, in her way, but nature hasn"t the brains to profit from the kiss. Only man can do this.

Perhaps it would be appropriate to conclude this summary of the art of kissing with an excerpt from Shelley"s immortal poem in which occur the following lines:

See the mountains kiss high heaven,

And the waves-clasp one another.

No sister flower would be forgiven

If it disdained its brother.

And the sunlight clasps the earth,

And the moonbeams kiss the sea;

What are are these kissings worth

If thou kiss not me?

--------------------------------------------------------------------------------

【篇十五】欣赏艺术作文

浅析欣赏唐诗中的乐舞艺术

一、乐舞的起源与发展

自中国的原始社会阶段，就有了人们抒发情感的即兴舞蹈，正所谓言之不足，故嗟叹之;嗟叹之不足，故歌咏之;歌咏之不足，不如手之舞之，足之蹈之也。后随着人们对神明的敬畏信仰，宗教祭舞等乐舞形式慢慢发展起来。统治阶级的奢靡享乐之风，使之成为一项陶冶情操的娱乐文化，乐舞艺术开始成形。随着国家民族统一融合，社会经济的繁荣发展，各种外来民族的文化碰撞，乐舞艺术有了壮大发展的肥沃土壤，为中国古代乐舞传统文化美学、艺术观的形成起了必不可少的作用。研究古代乐舞文化的形成、发展和演变，在一定程度上就是研究封建统治的时代特征，为研究中国传统文化的传承提供了必不可少的依据。

中国古代乐舞艺术的发展经历了三个关键时期：一是周朝，继承了巫风祭祀歌舞，通过制礼作乐的政策，形成了象征统治阶级权利的雅乐，西周创建的礼乐制度，影响了后世乐舞艺术的形成和发展。如《周礼春官大司乐》云：乃分乐而序之，以祭、以享、以祀。乃奏黄钟，歌大吕，舞云门，以祀天神;乃奏大簇，歌应钟，舞咸池，以祭地示;乃奏姑洗，歌南吕，舞大韶，以祀四望;乃奏蕤宾，歌函钟，舞大夏，以祭山川;乃奏夷则，歌小吕，舞大濩，以享先妣;乃奏无射，歌夹钟，舞大武，以享先祖。周朝雅乐舞第一次确定了古代乐舞艺术缺一不可的诗、乐、舞三元素;二是汉代，统治者的好尚，百戏艺术的兴盛，成就了俗乐舞即民间歌舞及散乐。如张衡《西京赋》中的描述临迥望之广场，程角觝之妙戏。女娥坐而长歌，声清畅而蜲蛇。洪涯立而指麾，被毛羽之襳襹。度曲未终，云起雪飞。初若飘飘，后遂霏霏。从中可窥汉代俗乐之兴盛;三是唐朝，封建社会的鼎盛时期，乐舞艺术极为兴盛。如《旧唐书舆服志》载：睿宗太极元年，唐绍上疏曰：往者下俚庸鄙，时有障车，邀其酒食，以为戏乐。近日此风转盛，上及王公，乃广奏音乐，歌舞喧哗。《新唐书严挺之传》：御延喜、安福门纵观，昼夜不息，阅月未止。开放的外交政策，各种艺术文化空前活跃和繁荣，唐诗的文学艺术，玄宗创建的梨园机构等各种社会因素，无一不是唐代乐舞艺术登上历史顶尖舞台的背后推手。

二、唐代乐舞盛世产生的社会背景

唐代，是我国封建历史中最为自豪的时期，政局的稳定促进了经济的繁荣，开放的外交政策促进了文化的快速发展，各民族文化相互碰撞，产生了独特的唐朝艺术文化风格，从贞观之治到开元盛世，良好的社会环境为乐舞文化的发展提供了肥沃的土壤。这其中有一大部分要归功于唐朝统治者，他们大多具有良好的艺术素养以及对乐舞艺术的推崇，如唐太宗创作了《破阵乐》《上元乐》、武则天的《圣寿乐》等。

以唐玄宗李隆基为例。政策上，改革并完善了乐舞机构教坊，创立《梨园》，结合外来艺术精华，拓展了乐舞艺术的发展空间;宗教上，统治者提倡儒、佛、道共同发展，还允许外来宗教进行交流，所以唐代人们的意识形态和思想观念比较开放;文化上，开明的政策更能拓宽文人的言论自由，盛唐时期的社会风貌都能在中国最宝贵的文化瑰宝唐诗中体现。除了治国之道，唐玄宗本身也具有极高的艺术素养。他擅长作曲，如著名的《凌波曲》《霓裳羽衣曲》等;也擅长舞蹈和乐器，如数羯鼓，宰相宋璟称赞他的羯鼓技艺之高说头如青山峰，手如白雨点除了舞、乐技艺，唐玄宗的五言律诗《经邹鲁祭孔子而叹之》还被收录到《唐诗三百首》中，《全唐诗》共有他的作品六十余首，可见其诗歌方面的成就。唐玄宗李隆基积极地推动了唐代乐舞艺术的发展，他经常举办国家庆典，使宫廷中自舞成风的景象也映射到民间，为乐舞艺术的全面繁荣做了良好的铺垫。郑嵎的《津阳门诗》有力地佐证了这一盛况：千秋御节在八月，会同万国朝华夷。花粤楼南大合乐，八音九奏莺来仪。都卢寻撞诚鲤靛，公孙剑伎方神奇。马知舞彻下床榻，人惜曲终更羽衣。

三、乐舞俑说明唐代乐舞成风

陶俑，是中国古代厚葬之风的珍贵产物，它再现了人们在一个时期的社会生活情景、文化审美特点。唐朝政治与经济、文化与艺术的全面发展，在继承了前人的精华之后，给我们留下了大量珍贵的陶俑精品，这其中以乐舞俑居多，乐舞俑题材丰富，千姿百态，既有皇室贵族场面，又有社会世俗情景，真实反映了唐朝歌舞升平的景象。

1.岑氏唐墓群舞俑

岑氏唐墓的乐舞群俑，1991年出土于洛阳孟津县，如图1。这是一个有主角，有伴舞侍女，有乐者伴奏的场面。左边有六件乐俑，通高19.5厘米，乐器由于年代的久远都已流失。其中前排两人，一人双手弯于胸前，好像在吹奏排箫，另外一人双手上下交握在胸，好像在吹箫;后排四人双手或捧握，或双臂下伸，双手五指分开，好像在弹奏古筝、琵琶，六件乐俑均跪坐，头挽双髻，着半袖开襟长衫，束带长裙铺地，只是颜色略有不同。右边前排是两个舞俑，头挽复杂的镂空双高髻，似蝶舞翩跹;双髻正中嵌一朵梅花发饰，好似蝴蝶闻香;外衣为半袖大翻领半身开襟衫，内着宽袖圆领半身衫，下身为坠地长裙;双臂向上弯曲展开至眉间，腰肢微微向左倾，表情含蓄，身材婀娜多姿，长袖飘逸。后排两个女俑似伴舞又似侍女，均头挽双髻，着长锦，左手抬于腹部，似将水袖甩于右手。为什么说整个场景完整地再现了贵族阶级的酒宴乐舞场景，是因为唐代对女乐的使用和规格是有严格限制的，据《唐会要》记载：救三品以上，听有女乐一部，五品以上，女乐不过三人，皆不得有钟磐。[9]唐代宫廷贵族的乐舞成风之状可见一斑。唐代诗人的诗作里，也处处可见乐舞酒宴方面的描写：处处闻管弦，无非送酒声(刘禹锡《路旁曲》);男抱琵琶女作舞，主人再拜听神语纷纷醉舞踏衣裳，把酒路旁劝行客(王建《赛神曲》);樽中酒我恒宜满，曲里歌声不厌新(谢偃《乐府新歌应教》);齐歌送清觞，起舞乱参差(李白《九日登山》)。在祝酒宴饮之时，琵琶歌舞紧相随。烦君玉指轻拢捻，慢拨《鸳鸯》送一杯(李群玉《索曲送酒》);为将金谷引，添令曲未终(陈叔达《听邻人琵琶》)。白居易曾为浔阳江头夜送客，举酒歌饮无管弦而深以为憾(《琵琶行》);杜甫在四川闻听官军平定安史之乱，欣喜异常，表示白日放歌须纵酒，青春做伴好还乡(《闻官军收河南河北》)。而那些有身份地位又风流潇洒的文士宦达，还喜欢携妓而饮，使君虽老颇多思，携觞领妓处处行(白居易《题灵岩寺》)。以上所引唐诗，正是大唐长安酒宴与乐舞风尚的生动写照。

2.岑氏唐墓独舞俑

出土的于岑氏唐墓的单独舞俑，高21厘米，头梳双高发髻，表情温婉大方;上衣样式为半袖低胸开襟，下衣则是高腰束身薄纱长裙;左臂弯曲上举至额头，右臂舒展，右手微翘;左腿微微屈膝，右腿顺势伸直，腰肢向左上方扭动，整个造型流畅灵动，舞姿温柔优雅，举袖扬身之间，仿佛听到舒缓的音乐为之伴奏，是典型的软舞之姿。

岑氏唐墓的单独舞俑

当时流行的舞蹈主要分软舞和健舞两种。软舞广泛流行于宫廷及上流社会的家庭宴会之中，《教坊记》和《乐府杂录》就记载了许多软舞名，如《垂手罗》《回波乐》《绿腰》等。健舞是指动作大开大合，有力豪爽的舞蹈。健舞能强烈地表达一种激烈的情感，通常伴有热烈欢腾的配乐，这类舞蹈的.表演形式非常富有旋律的动态之美，当然也对舞蹈技巧有很高的要求。杜甫的《观公孙大娘弟子舞剑器行》就描述了这一健舞的表演形象。昔有佳人公孙氏，一舞剑器动四方。观者如山色沮丧，天地为之久低昂。耀如羿射九日落，矫如群帝骖龙翔;来如雷霆收震怒，罢如江海凝清光。《乐书》卷一百八十二云：健舞曲有火袄、阿辽、柘枝、剑器、胡旋、胡腾。说明唐代舞蹈表演形式丰富多样，这其中包括很多国外和少数民族地区传入的异域乐舞。艺术繁荣的规律一定是有开放的社会环境和富足的物质基础，唐朝对外的不断扩张，对内的开放政策，促进了各民族的交流，同时促进了对异域文化的借鉴。唐代宫廷中的七部乐、九部乐、十部乐中都有多部外来乐，有来自西域的龟兹、高昌、疏勒等乐，有来自印度、中亚的天竺、康国、安国等乐，以及来自高丽、日本、扶南等东亚、南亚国家的乐舞。还有来自西域的胡腾舞、胡旋舞等丝绸之路成就了与西域文化的融合之路。这期间，乐舞艺术的表演形式、艺术风格、伴奏乐器、音律歌词等方面都受到外域文化的影响，迸发出新的艺术灵感和创造力。

唐三彩骆驼载乐舞俑

1959年出土于陕西西安的唐三彩骆驼载乐舞俑，现藏于陕西历史博物馆。他是唯一一件被评为国宝级文物的唐三彩。此俑高58厘米，宽41厘米，色彩非常明亮艳丽。这件唐三彩表现的是：一头骆驼背架着一个演出平台，平台上共有8名乐舞者，均着唐代服饰。其中7位男士演奏西域乐器，分别有笛、箜篌、琵琶、笙、箫、拍板、排箫;一位女舞者被他们围在舞台中央，仿佛在边歌边舞。其实骆驼在汉代并不常见，随着唐代丝绸之路的开拓与繁荣，各民族之间的频繁交流，骆驼成为中原比较常见的动物。这说明西域文化渗透在唐代社会各个领域，唐朝的乐舞艺术与异域文化互相交流融合，碰撞产生了独具一格的唐朝乐舞盛世。

又如1971年出土于陕西省的唐代骑马乐俑，该俑表现的应是随官出行的文工团中的奏乐者，两人手持的排箫、羌笛，都是来源于异域文化。可见当时唐朝乐舞艺术已经将外来乐器融合到本土艺术当中，并且运用得当，普遍流行于生活之中。

四、唐乐舞与外来文化的相互作用

唐代帝王开放的政策以及大气宽广的胸怀，给外域各民族的乐工舞伎提供了施展才华的舞台，宫廷豪门、教坊梨园、酒肆歌楼、街头巷里，无不活跃着他们的身影。乐舞是唐朝对外文化交流的先行者，正是由于乐舞艺术的频繁交流，才推动促进了其他文化的融合，丰富了人们的精神生活。诗词是乐舞艺术的必要元素之一，乐舞的兴盛也拓展了唐诗的创作题材，加强了诗歌的艺术表现力，促成了一大批乐舞诗的创作，如岑参的《田使君美人如莲花舞北旋歌》：美人舞如莲花旋，世人有眼应未见。高堂满地红氍毹，试舞一曲天下无。此曲胡人传入汉，诸客见之惊且叹。慢脸娇娥纤复秾，轻罗金缕花葱茏。回裾转袖若飞雪，左鋋右鋋生旋风。琵琶横笛和未匝，花门山头黄云合。忽作出塞入塞声，白草胡沙寒飒飒。翻身入破如有神，前见后见回回新。始知诸曲不可比，采莲落梅徒聒耳。世人学舞只是舞，恣态岂能得如此。用富有边塞特色的自然风光来表现富有边塞特色的舞姿，描述了一场精彩绝伦的异域舞蹈表演。

1.异域文化对唐乐舞艺术的影响

外域音乐最早传入中原时只有曲调旋律，没有对应的诗词歌赋，也从另一方面刺激了当时人们的词的创作。《碧鸡漫志》所云：李唐伶伎，取当时名士诗句入歌曲，盖常俗也。但是当时新曲曲调形式繁杂，相对诗的比较规整的五言七言句法，有长短句的词的需求大大增加，从而推进了唐代词的演进。晚唐诗坛，涌现了大批词人，如温庭筠、杜牧、张希复、郑符等，词体渐渐以歌词的形式出现，为确立这一新兴诗体在文学史上的地位起了推波助澜的作用。在乐舞艺术中，唐代吸收融合异域的精华不仅仅体现在乐器、音律上，还有最为重要的一点就是舞蹈的表现技法。当时比较典型的来自外域的三大舞种分别是胡旋舞、胡腾舞、拓枝舞，丰富了宫廷乐舞的技法及表现形式。唐诗中有很多描写这三大舞种表现技法的诗句。表现胡旋舞快速轻盈旋转的左旋右旋不知疲，千匝万周无已时表现胡腾舞跳跃踢踏舞步的跳身转毂宝带鸣，弄脚缤纷锦靴软表现拓枝舞以鼓声为伴，矫捷热烈舞姿的将腾跃之激电，赴迅速之惊雷。这里以唐代比较著名的《霓裳羽衣舞》为例，来说明唐代乐舞文化融百家之所长，创造的堪称完美的舞乐盛世。

白居易的《霓裳羽衣舞歌》中道：千歌万舞不可数，就中最爱霓裳舞。李太玄《玉女舞霓裳》中云：舞势随风散复收，歌声似磬韵还幽。千回赴节填词处，娇眼如波入鬓流。从诗中可探知霓裳羽衣舞在唐乐舞艺术中的地位及审美形态。据杨萌浏先生考证，《婆罗门》曲是印度传来的乐曲。经过对其音乐元素的提炼融合，再进行新元素的创作，所以《霓裳羽衣》大曲既有异族风情，又具有明显的唐朝时期的音乐风俗特点，是盛唐乐舞的经典之作。

霓裳羽衣舞演出的是神话传说，白居易《霓裳羽衣舞歌》中描写了此舞的表演情景，飘然转旋回雪轻，嫣然纵送游龙惊说的是此舞舞姿有如流风回雪般轻盈，又有游龙受惊般的飘逸;小垂手后柳无力，斜曳裾时云欲生说的是如弱柳迎风的广袖在舞女的垂手下轻柔挥舞，时而摇曳的裙摆好似流云缭绕;繁音急节十二遍，跳珠撼玉何铿铮说的是入破后激烈的舞蹈形态，舞者足应急节，衣袖翻飞，撼身动臂，玉落珠滚。其腾跳的幅度之大、旋转的速度之快、舞姿的变换之多、舞容的灼灼生辉，就是融合了异域的舞蹈表演风格。当然此舞还继承并结合了楚风的浪漫意蕴，印度佛曲的空灵，以及本国宗教道法的观念，从而在我国古代乐舞中占尽风情，成为一枝引人注目的奇葩，流芳千载。

唐朝泱泱大国包容万象的情怀，使之与外国各族交流频繁，不断借鉴和汲取外来文化的精华，在各个领域尤其是乐舞艺术方面不断丰富、发展、创新，给本国文化注入强健的生命力和活力，推动了唐代乐舞的兴盛繁荣，为后代乐舞艺术的发展打下了坚实的基础。宋代继承发展了唐代乐舞艺术，再变革发展，《全宋词》中记载着唐代如胡旋舞、白经舞等歌舞的情况。

2.唐乐舞对外国文化的影响

唐代乐舞还给当时外国的文化产生了重要的影响。汉唐时期，日本还没有自己的乐舞文化，通过频繁地交流使团，带回的唐代乐舞作品在日本岛国生根发芽，至今日本还保存有唐代乐工石大娘等传谱五弦琵琶谱。另有日本著名画家千春根据古乐舞图重新绘制的《舞乐图》，其中绘有，皇帝破阵乐、秦王破阵乐、北庭乐、万岁乐、倾杯乐、夜半乐、赤白桃李花、剑器浑脱、苏合香、打球乐等。而在散乐、胡乐中保存的舞蹈有拨头、兰陵王、苏摩遮、狮子等。由于社会风气，文化风俗习惯的差异，唐乐舞传入日本后也发生了一些变化，比较具有代表性的就是日本将《轮台》与《青海波》结合，运用唐代大曲的序、破、急的结构，使之成为一个和谐完整的作品，其艺术感染力竟达到美丽之极，令大凉恐的地步[16]。朝鲜在很早就派遣学生来唐留学，朝鲜音乐分《唐乐》和《乡乐》。《宣和奉使高丽图经》曰今其乐有两部左曰《唐乐》，中国之音右曰《乡乐》，盖夷音也。其中国之音，乐器皆中国之制，可见朝鲜乐舞艺术受唐代的影响之深。

大唐盛世是中国古代史上最为光辉绚丽的篇章。唐朝在上承周楚、两汉的传统文化，近取异域各族之精华的基础上，成就了唐代乐舞在中华传统戏曲乐舞艺术舞台的巅峰地位，不仅给当代留下许多珍贵优秀的乐舞作品，还对当代乐舞戏曲文化乃至整个中国文化艺术的发展有着重要的借鉴和指导意义，唐代乐舞艺术不愧为中国古代戏曲乐舞史上的瑰宝。

【篇十六】欣赏艺术作文

口才已经成为现代社会的一门技术，良好的语言表达能力也不失成为一种艺术。有人说“没有口才的人，有如发不出声音的留声机，虽然是在那里转动，却不使人感到兴趣。”我觉得这个比喻再贴切不过了，混沌的语感，杂乱的表达，定然使人索然乏味。因此，培养孩子的语言能力是非常重要的。

从女儿开始咿呀学语，我就注重培养她的语言能力，一路学习，一路摸索，总结了一些经验，和朋友们一起分享。

首先要给孩子创造一个说话的环境。

这个说话的环境无非就是要和孩子多多交流，多和孩子交谈是很必要的一件事。比如鼓励孩子唱歌或朗诵古诗，或者定期举行家庭表演会，以此训练孩子的胆子；也可以让孩子重述听过的故事，帮助孩子学会简要的讲述；对于年龄大点的孩子可以经常与他讨论一些感兴趣的话题，考验他的临时发挥能力与应变能力。

再次要多读书，积累丰富的语言。

“读书破万卷，下笔如有神”，书读多了，笔下自然有如神助，文章就会妙笔生花。其实，语言发面也是这样的，看的书多了，自然出口成章。所以，我们要让孩子们多读书，积累大量的词汇，精妙的语句，等到水到渠成，口若悬河也就可望又可及了。

最后就是注意培养孩子标准的普通话。

普通话在全国已经普及开来，然而每个地方的普通话似乎听起来都不大一样，那是因为多多少少加入了各地的方言，这样的普通话听起来有点怪怪的，也不那么优美。培养孩子的语言能力也需要标准的普通话。

早些年也曾向一位节目主持人讨教过一些知识，在这里分享一下。

1、讲话前，深吸一口气，平静心情，面带微笑，这样做语速会比较平稳，声 音比较婉转。

2、吐字清晰，不能含糊不清。

3、发音准确，注意声调。例如“山明水秀”分别读第一声、第二声、第三声、第四声，一定要读准声调。

这些内容常加练习，一定可以说出一口动听的普通话。

我们对孩子有许多期望，不仅期望她是个内秀的人，也期望她更具文采。当语言渐渐艺术化，必将给我们的孩子的五彩人生画下最绚丽的一笔。

【篇十七】欣赏艺术作文

艺术的海洋中浪花翻涌，我采撷一朵最深情的，那便是法国画家莫奈。他的光与影，让我久久流连徘徊。

最开始知道这位画家，源于他画的干草垛。

莫奈的笔下，极少用黑色描绘阴影。他就像一位色彩的魔术师。他的画布上各种各样的颜色，每一种色彩都恰到好处，多一分则浓，少一分则淡。倘若我们能留意生活中身边物品的颜色变化，我们就会发它们并非只有一种颜色。光影流转，时间流逝，日月更替，即使是司空见惯的风景，也会产生各种色彩，自身的固有色只是我们心中的颜色，但是物体和景色对外展现出来的是更丰富的色彩。

而捕捉这种色彩变化的正是莫奈。是他将阳光下的干草垛描绘成耀眼闪烁如金子的温暖亮黄色，日落时分夕阳映照下的干草垛融入了低饱和度的的红色与紫色。在没有明确轮廓线的画作当中，在那些色块层层叠叠交织的光影之中，我感受到了颜色的温度和情感，原来画作也有喜怒哀乐。

后来逐渐知道，莫奈是印象派风格的倡导者、领导者和坚定不移的倡导者。在绘画作品中，莫奈不断探究，最终形成了对同一主题进行一系列重复观察分析作画的方法，展现不同光线下的光与影。这些系列作品经常以作品组的形式展出，例如，他的《干草垛》和《鲁昂大教堂》。莫奈创作的睡莲，既是他久负盛名的作品，也是后人一系列绘画的灵感来源。

莫奈年仅15岁时就已经崭露头角，作为艺术家的“出道”，他开始出售自己的作品，在早期画作当中，他的素描十分精确，技术精湛。他的姑妈玛丽·珍妮·莱卡德是个业余画家，也许在她的建议下，克劳德去当地一位画家那里学习绘画。但他的画家生涯直到有了尤涅·鲍丁的朋友才开始，他把这个有点傲慢的学生介绍给了当时不常见的露天绘画。这段经历为莫奈指明了方向，在日后60多年的时间里，他专注于“现象”，并且开拓创新，将对事物的感知转化为画纸上的颜料，用色调和笔触来描绘光与影的印象，这也就是我们今天所知道的印象派。

20世纪后半叶，莫奈的作品在世界各地的博物馆展览中走遍世界，吸引的观众数量可谓空前绝后，并且推销了以他的艺术形象为特色的受欢迎的商业物品。

至今我们仍能在许许多多地方看到这位画家的作品，即使作为人的存在已经消失了，他的作品却是不朽的。

【篇十八】欣赏艺术作文

另一种艺术我们可以把心染绿——题记

生命，不是可以重复的花季，可以让你时刻采撷芬芳。快乐，不是永无休止的音符，可以使心灵永久地律动……稍纵即逝，瞬间万变的时光里，心灵不停地变更其色彩：绝望痛苦的心灵是炭黑色的，不给希望腾出一片空白;失落低沉的心灵是铅灰色的，严严实实的覆盖住应有的活力;饱经沧桑的心灵是沙黄色的，显露出命运与岁月的摩擦……而一颗健康年轻的心灵是确实叶绿色的，积聚了怡人的香气……三毛曾说，岁月极美，在于它必然的流逝。

每个人的历史都在成长的岁月里汩汩流过，有时欢悦，有时低沉。快乐难免会与悲伤撞击碎成一地琉璃，然而一颗绿色的心灵可以让烦恼消散得更快，催使幸福快乐再次回来!处身困境的时候，把心染绿，赋予心灵希望。困境并不意味着终止，只要心存希望，终可以开辟出路，从而扼住困难的咽喉。安徒生在极度贫穷的情况下通过自我奋斗而登上世界童话大师的宝座;从前沦落街头的流浪汉——希尔顿也因不屈不挠而成为闻名世界的“酒店大王”：是希望的力量让他们拥有美丽的光环!陷入低谷的时候，把心染绿，赋予心灵乐观自信。我们承载着异样的命运航行在浩瀚无边的大海中，大风大浪都是我们必须接受的考验，作为勇敢的航行者，不应具备“直挂云帆济沧海”的自信和“病树前头万木春”的乐观吗?挫折有时比人更软弱，人的自信乐观可以驱使他们投降。当心灵复杂时，把心染绿，赋予心灵暂时的纯真。历经世事的大人们眷念着天真无邪的童年，因为岁月在染白发丝的同时也把纯真瓦解成了点滴：在人群里呐喊寻找回应的表情，在社会中投资追求应得的利润，亦或是过于绚丽的灯光使双眼迷茫……想多了，且做一次小孩子，天真一回，洒脱一回。林木因拥有繁绿而朝气洋溢，心灵也会因染绿而焕发健康光彩。

幸福虽不是胭脂，可供我们永久的打扮岁月;而绿色却是永恒的旋律，让心灵得以欢快的跳动。当心灵逐渐褪色枯黄时，展现另一种艺术，用绿色的颜料，给心灵着色!

【精选艺术作文汇总10篇】

【篇十九】欣赏艺术作文

当某个同学在教室里展示自己的新衣服或是新发型，你是否觉得他自恋至极对他嗤之以鼻?当你在学校橱窗艳羡同龄人的书法画风,你是否觉得自己一无是处生来平庸?殊不知我们常常走进了欣赏的死胡同，错过了本该属于我们的美，终成过错。

在我看来，欣赏的艺术不仅是发掘自己的美，也在于为别人的美喝彩。

近年来网络上大火的“聚美体”这样一句话我甚是喜爱：“你只闻到我的香水，却没看到我的汗水。我是**，我为自己代言。”众网友纷纷效仿的同时也让陈欧---聚美优品的创立人由此走火。品牌的大火带来的是巨大的经济效益，也让这个小伙子的奋斗终有收获。或许有人认为这个广告词过傲，我却认为这是对自己美的发掘。当大牌明星的代言引发“从众效应”，如此自信的令类代言却别有一番意蕴美,请允许我的仿句：你只看到我自恋的表现，却没理解我的心灵美----我美己，我为自己代言。

如果说发掘自己的美能让人增自信，这却只是一个个体的层面;若是由此拓展开来，那应是另一番别样的美景。

【篇二十】欣赏艺术作文

前些天，我与几位同学参观了开封市博物馆，欣赏了不少美丽的艺术品，领略了中国古代与现代艺术品的魅力。

我们先参观了三楼北厅“明清皇家用品展”，从青花瓷到五彩瓷。到用和田玉籽料雕琢而成的各种玲珑的玉器。从乾隆的马鞍腰刀到绣工精致的道光的龙袍……看的我眼花缭乱，目瞪口呆。其中，我最感性趣的是一个用和田玉籽料雕成德名为“青玉山子”的玉器。这件艺术品十分精致，整块玉白润，光滑。长27。5厘米，宽6。5厘米，高21。1厘米。“青玉山子”拔地而起两座大山，四面都有景色，有飞流直下的瀑布，一座接着一座的亭台楼阁。中心的苍松加上山涧中正在一心一意打坐的仙人。为这块宝玉增添了不少生机。

看完三楼的艺术品，我们又来到了二楼的“馆藏文物”展厅进行参观。这里展出的有陶器，唐三彩，瓷器。玉器，漆器，珐琅器等等。

看！“三彩陶陀”的骆驼好像在沙漠中不紧不慢的走着，“娃娃卧莲瓷枕”枕面上可爱的小娃娃使我浮想联翩，“鸳鸯戏水瓷枕”枕面上的两对鸳鸯似乎在池边戏水，“朱漆仿古菊瓣盘”仿佛菊瓣香飘十里……

这么多历史悠久的古代艺术精品中，有一件我非常喜欢。那就是一个釉色明亮，红、蓝色交织，宋代的钧瓷碗。它十分美丽，那朦朦胧胧的蓝色花纹好似一望无际的大海，那火红的红色如同片片红霞映照在大海中。这可是博物馆的镇馆之宝。俗话说：“家有黄金万贯，不如宋钧一片”。而“钧瓷带红”，更是“价值连城”。这个碗就是极为珍贵的宋代钧瓷碗。据说钧瓷的制造工艺十分复杂，往往十窑之中，有九窑都是失败的。钧器坯刚放入窑中的时候无颜色，后来由于窑中温度不断升高，窑内产生了化学反应，使钧瓷碗变化出不同颜色，而这种带红的钧瓷碗更是钧瓷中的极品！

往里走，往左拐，展柜里面有一个历史悠久的瓷瓶静静的立在那里，那就是乾隆年代的“青花山水瓷瓶”，我十分喜欢它白亮的瓶身上，有淡雅的青花图案——连绵不断的山峰上若隐若现着一条山间小路，山间的云雾迷蒙，几间田园小屋前有一条溪水“哗哗”的流淌着，桥上有过路的行人，蓝天苍鹰翱翔着，这幅美丽的山水图，令人浮想联翩。

这次艺术欣赏活动使我增加了知识，开扩了视野，使我了解到了音乐是一种艺术

音乐，是一种艺术。我认为它是所有艺术中最绚丽的，因为她可以触动我们的灵魂。当高涨的情绪得不到宣泄的时候，听听音乐，一切烦恼就都烟消云散了，而生活又变得美妙起来。

现在的人们，常常背负着各种问题和压力。他们整天灰头土脸的生活，迷茫在城市的海市蜃楼下，不在乎每天的感受，慢慢地，都变成了千篇 一律的机器，笼罩着阴郁。而音乐，正是让他们恢复往日鲜活的一剂良药。

不知道是音乐如心情，还是心情如音乐！也或许音乐与心情融为了一体！人与自然也融为了一体！音乐本身就是生活——生活也就是音乐。

音乐可以净化人的心灵，沉浸于音乐世界的人心胸往往比较开阔，感情比较细腻，情绪比较平稳，更能体会别人的心情，因此比较容易与人相处。同时，他们更容易感受到生活的乐趣，热爱生活。

音乐是一位好老师。它会将你的心灵从喧嚣和冗杂之中带出，带到一片静土，使你那烦躁的心平静下来。音乐是你开心时的朋友，音乐也是你失意时的伙伴。

音乐可以充当太多真善美的角色，在生活中它的作用也是不可或缺的。它是人类陶冶情操的良方，是文明传播的阶梯。让音乐走进每个人的心灵，去领悟那最美的真谛，感受人间真情的律动！

——让音乐走进心灵！

【篇二十一】欣赏艺术作文

美术馆是一个非常吸引人的地方，许多名画全在此展出，由此引来了很多的中外游客。

刚刚进门，一堆抽象画扑入眼帘，抽象画说来也奇，看着人不像人，树不像树，可走近一赏也却别有一番情趣。

我们继续往里走，那是应天齐老师的作品，他的画大部分是用大量的油墨为人们展现出一种立体的"感觉，他的作品有的平淡无奇，有的波涛汹涌，有的则栩栩如生，而的却热情奔放。一进他的展厅，我就被眼前的“景色”一下子震住了，无论是栩栩如生的“文明”，还是平淡无奇“竹帘”，全都让人感到瞠目结舌，大厅中间，一块“金砖”极为醒目，据说这“金砖”是为了纪念西递老城而制作的，砖上刻有“西递”二字，这是一位老人家赠给应天齐的，赠后却去世了，应天齐就把这块砖当模子，制作了一块一模一样的“金砖”。

旁边的墙上挂了三幅单色调的油墨画“厚黑”、“无极”、“王者”。其“厚黑”是用特别多的油墨为人们展现出十分立体的艺术，走近细品会令人感到浩瀚大海上的波涛汹涌；“无极”则是纯白色的，它则让人感到自己再天空中自由翱翔；“王者”却有一种气势磅礴的感觉，它以红色色调为主，使人感到充满希望。

再往里走是革命右派廖冰兄老人家的漫画作品，他是悲愤画神，老人家出生于19，20xx年去世，他生前最有名的漫画是“禁鸣”，这幅画是一头肥硕的猫头鹰用力咬住一只瘦小的公鸡，不让它打鸣，这幅画反应了文革时期社会的黑暗与腐败，文化知识分子们就是这只瘦小的公鸡，没有光明，不能自由，此外，他还有“自嘲”、“破炉”、“血腻鱼肥”等作品非常有名，这真是“悲愤画神”呀！

这次参观不仅让我长了知识，而且还让我看到了悲愤画神廖冰兄，还让我见识到了用油墨感动世界的应天齐老师，这次参观收获不小呀！

【篇二十二】欣赏艺术作文

我的房头柜上摆放着一只小木船。那是我上三年级的时候因为要参加学校举行的手工比赛而做的。也许是因为评委认为我做得不够精致而没有获奖吧。但是我自己认为这可是我最喜欢的一件工艺品了。小木船是用很多很多的棒冰棍做成的。它高约15厘米，宽约4～5厘米，长约20厘米，它共有七种颜色组成，分别是天蓝色、普蓝色、白色、草绿色、金黄色、灰色和红色。天蓝色的小梯子，供人们上船，红色的小旗子在空中飘扬，宽广的黄色甲板供人们观赏风景，普蓝色和草绿色的小房子还可以让人们在里面休息或躲雨呢！看起来精神极了，好像马上就会变大，像一艘真正的大船正向大海驶去！红色的小旗上还有我的姓名和所在班级。这可是我从红领巾上剪了两块布料，然后一针一针地缝上去的。别看只有几个字，可花了我好一段时间呢。

我每隔一个星期都会把它擦得干干净净的，不让它落一点儿灰尘。每一个来我家做客的人看到了我做的这个小木船都会夸我：“你的手真巧，做得真好！”我听了，心里美滋滋的。我看了一眼小木船，觉得它也很骄傲。怎么样，这就是我亲手做的小木船，我最喜欢的工艺品！你也喜欢吗？我最喜欢的工艺品在我房间的书架上，摆放着许多工艺品。要说我最喜欢的呀，数那头横卧着的乌黑发亮的老牛了。看！这头瓷制的老牛，膘肥身健，体型匀称，鬃毛整齐。它的头微微向前倾儿往左歪，两只角弧形地往后弯，眼睛目不转睛地凝视着前方，它的尾巴不是一般地往下垂，而是往前伸，好像在拍打着身上的苍蝇和蚊子。它张开嘴，人们仿佛听到了它那低沉的“哞哞”声。这是一头横卧着的老牛。怎样表现它是横卧着的呢？作者构思奇妙，让牛的右前腿向前伸，左腿向后平伸，右后腿都呈弯曲形，整个身子就像趴了下去。

同学们，你们一定会认为它是一头单独的老牛，那就错了。作者匠心独运，让老牛横卧在石头上，石头上的东西可丰富了，有古代的铜板，上面刻着“招财进宝”、大吉大利”等，还有金元宝呢！一个个形象逼真，象征着牛年财源广进、大吉大利的意思。远看它，一以为只有一头老牛，可近看，老牛的身边还有两头小牛哩！小牛卧在老牛身边，好像正在吃奶呢！使这个工艺品显得不那么单调这个工艺品多么精巧啊！我太喜欢它了。

【篇二十三】欣赏艺术作文

完美融入环境的街头艺术

这些艺术家都发现了城市中不寻常的一面，用各种创意将不同的元素和现实场景联系到一起。

这个作品位于立陶宛的考纳斯，虽然只是画了一堆星星，但艺术家却借此创造了一个完美的涂鸦。

当夜幕降临、华灯初上的时候，你会在墙上看到——

这要出来的是绿巨人吗？

植物版的 Afro发型！再过两天，就要解决头发枯黄的问题了。

Please do nottouch！不能触碰的蒲公英，多么智慧的一个作品!

这些艺术家都发现了城市中不寻常的一面，用各种创意将不同的元素和现实场景联系到一起。

【【必备】艺术作文汇总六篇】

本文来源：http://www.pangufuhuaqi.com/swgwsm/116319.html